Paul Peditto discusses the agent relationship, conversations with agents, how to keep an agent, and some examples of what you never want to tell a screenwriting agent.
Chad Gervich gives writers a guide to navigating one of the most important relationships of their career - the one between screenwriters and their writing agents.
Click to tweet this article to your friends and followers! Question: What’s the difference between agents and managers for screenwriters and how the hell do I get one? First things first: is there a difference? In the current landscape, roles continue to evolve. The classic dynamic was one where an agent sent material to...
I’m delighted that The Writer’s Store and Script are allowing me to teach a webinar called “What Literary Agents Can, Cannot and Will Not Do.” It’s a course I have taught before and, as a writer of books, film, TV, theatre and other forms, I cannot overemphasize how important it is to understand how...
Every good comedian needs to bomb at least 100 times.
Script shares the highlights from some of the top panels at the Producers Guild of America's Produced By Conference in New York City.
Paula Landry shares tips on prioritizing your life and finding time to write without overwhelming your schedule.
Why does TV writer Ross Brown love 10-minute plays – or more importantly, why should you be writing them? He shares 10 solid reasons this short form will improve your writing and career.
Screenwriter and Story Broad Kelly Fullerton was writing episodes for television earlier this year when she was offered to write the Simone Biles biopic.
TV writer Ross Brown (The Cosby Show) shares 10 must-know tips on how to write a TV spec script to get you noticed by an agent or showrunner.