Paul Peditto discusses the agent relationship, conversations with agents, how to keep an agent, and some examples of what you never want to tell a screenwriting agent.
Chad Gervich gives writers a guide to navigating one of the most important relationships of their career - the one between screenwriters and their writing agents.
Click to tweet this article to your friends and followers! Question: What’s the difference between agents and managers for screenwriters and how the hell do I get one? First things first: is there a difference? In the current landscape, roles continue to evolve. The classic dynamic was one where an agent sent material to...
I’m delighted that The Writer’s Store and Script are allowing me to teach a webinar called “What Literary Agents Can, Cannot and Will Not Do.” It’s a course I have taught before and, as a writer of books, film, TV, theatre and other forms, I cannot overemphasize how important it is to understand how...
Every good comedian needs to bomb at least 100 times.
Marty Lang shares how screenwriting contests can open doors for writers living far from Los Angeles.
Manny Fonseca examines his biggest pitchfest pet peeves when it comes to attending pitchfests as an executive. Do you fall into any of the following categories? Read to find out.
Great screenplay writing has strongly defined characters that attract financiers, studios, actors, and directors. Wendy Kram gives advice on creating memorable characters.
Writer/Director Aaron Sorkin spoke with Script magazine about bringing the unusual story of Molly's Game to the screen in his directorial debut.
Screenwriter Peter Iliff (Patriot Games, Point Break) wanted more from his career. So, using the resources he could find and the connections he’d made, Iliff took the leap to writer-director with his film Rites of Passage … and he couldn’t be happier.