Jeanne Veillette Bowerman shares the freedom she feels writing outside-the-box and exploring the world of self publishing.
Script Magazine chats with screenwriter Tim Talbott about 'Stanford Prison Experiment,' his extensive research, rewrite strategies and navigating a beast of a project that took decades to get made.
Script Magazine speaks with the producer and screenwriter of 'If We Left' about collaboration and the challenges of bringing a heartfelt real-life story to the screen.
Script talks with TV writer on NCIS: New Orleans, Greta Heinemann, on breaking in, entering screenwriting contests, and inviting mobsters for a holiday dinner.
Script Magazine follows up with Brian Godawa to see how the past 12 years have treated him and his screenwriting career. We caught up on all things writing and the unexpected turn his career has taken.
Jeanne Veillette Bowerman encourages writers to examine their old screenplay feedback, even if it's years old, to see if their writing is really the problem... or something else.
With so many screenwriting experts out there, whom should you believe? Jeanne Veillette Bowerman challenges you to not drink the Kool-Aid and gives tips on navigating conflicting advice.
Over the past year, Jeanne Veillette Bowerman shared some of her mentors' screenwriting tips, but for those who missed them, here are her favorite dozen.
Jeanne Veillette Bowerman explains how to write a screenplay that sells itself. The secret is right in front of you and absolutely achievable.
The same, but different. That’s what new writers are told to strive for when it comes to commercial concepts to raise their chances of a sale. It worked for screenwriter Brandon Barker.