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	<title>Script Magazine &#187; Features</title>
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		<title>Q&amp;A: Dave Trottier, aka Dr. Format</title>
		<link>http://www.scriptmag.com/features/qa-dave-trottier-aka-dr-format-2</link>
		<comments>http://www.scriptmag.com/features/qa-dave-trottier-aka-dr-format-2#comments</comments>
		<pubDate>Wed, 01 Feb 2012 17:55:55 +0000</pubDate>
		<dc:creator>Dave Trottier</dc:creator>
				<category><![CDATA[Ask Script Q&A]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Dave Trottier]]></category>
		<category><![CDATA[Dr. Format]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Spec]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=26221</guid>
		<description><![CDATA[Dave Trottier, author of The Screenwriter&#8217;s Bible, tackles the types of script-formatting questions that writers need answered when penning their screenplay. &#160; MY FAVORITE FORMATTING FLUB QUESTION      What is the most common formatting error that you see? ANSWER      Oh, that’s easy—scene headings, sometimes called slug lines. As a script consultant, I [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Acting Challenges</title>
		<link>http://www.scriptmag.com/features/acting-challenges</link>
		<comments>http://www.scriptmag.com/features/acting-challenges#comments</comments>
		<pubDate>Fri, 23 Dec 2011 22:02:58 +0000</pubDate>
		<dc:creator>Ray Morton</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[executive]]></category>
		<category><![CDATA[network]]></category>
		<category><![CDATA[pitch]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23961</guid>
		<description><![CDATA[A good screenplay is a wonderful thing, but no matter how impressive a script may be, its potential will remain forever unfulfilled unless it is actually made into a movie. There are a lot of factors that influence whether or not a screenplay gets produced, but in today’s film industry, the most crucial of these [...]]]></description>
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		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Is Hollywood Allergic to Your Genre?</title>
		<link>http://www.scriptmag.com/features/is-hollywood-allergic-to-your-genre</link>
		<comments>http://www.scriptmag.com/features/is-hollywood-allergic-to-your-genre#comments</comments>
		<pubDate>Fri, 23 Dec 2011 20:53:10 +0000</pubDate>
		<dc:creator>Staton Rabin</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23938</guid>
		<description><![CDATA[Some writers have all the luck. They have a gift for writing high-concept comedies, thrillers, horror, or action movies, or other kinds of scripts in “commercial” genres. Their scripts make most agents and producers swoon like tweens at a Justin Bieber concert. And then there’s the rest of us. We love to write intimate dramas, [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Landing Your First Assignment</title>
		<link>http://www.scriptmag.com/features/landing-your-first-assigment</link>
		<comments>http://www.scriptmag.com/features/landing-your-first-assigment#comments</comments>
		<pubDate>Fri, 23 Dec 2011 17:51:15 +0000</pubDate>
		<dc:creator>John Buchanan</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[executive]]></category>
		<category><![CDATA[industry news]]></category>
		<category><![CDATA[los angeles]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23926</guid>
		<description><![CDATA[There’s more opportunity out there for new scribes than just the fabled spec sale. In fact, writing assignments represent a more reliable path to a genuine livelihood. When most aspiring screenwriters imagine their successful against-all-odds assault on Hollywood, they think in terms of a big spec sale that changes their lives overnight. But there is [...]]]></description>
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		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Sales Force &#8211; Who Sold What to Whom</title>
		<link>http://www.scriptmag.com/features/sales-force-who-sold-what-to-whom</link>
		<comments>http://www.scriptmag.com/features/sales-force-who-sold-what-to-whom#comments</comments>
		<pubDate>Thu, 22 Dec 2011 23:23:49 +0000</pubDate>
		<dc:creator>AndrewSchneider</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[pitch]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[Spec]]></category>
		<category><![CDATA[spec sales]]></category>
		<category><![CDATA[spec scripts]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[TV]]></category>
		<category><![CDATA[TV Writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23913</guid>
		<description><![CDATA[SPECS Voltage Productions and Solipsist Films have purchased the spec script The Driver from writing-directing team Zach Luna and Spenser Cohen. Cohen, who recently graduated from USC, will direct the film. Solipsist’s Stephen L’Heureux and Nic Chartier will produce the project along with Craig J. Flores of Voltage. The Driver follows a man whose suburban [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Scriptmag Holiday Giveaway</title>
		<link>http://www.scriptmag.com/features/scriptmag-holiday-giveaway</link>
		<comments>http://www.scriptmag.com/features/scriptmag-holiday-giveaway#comments</comments>
		<pubDate>Fri, 16 Dec 2011 19:59:09 +0000</pubDate>
		<dc:creator>Script Magazine</dc:creator>
				<category><![CDATA[Features]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23862</guid>
		<description><![CDATA[‘Tis the season to be giving, and all that! Our very special readers deserve some very special gifts this holiday season. Entry is easy – you don’t have to write 10 pages of witty dialogue or upload a short to YouTube; you just have to leave your comment below, telling us your favorite holiday- (or for the Scrooges among us, anti-holiday-) themed films. Winners will be chosen at random and contacted via the email address provided to log in. Entries must be received by 11:59 PM PST, Friday, December 16! (That's today!)]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/scriptmag-holiday-giveaway/feed</wfw:commentRss>
		<slash:comments>88</slash:comments>
		</item>
		<item>
		<title>Podcast: Richard Curtis on Steven Spielberg&#8217;s War Horse</title>
		<link>http://www.scriptmag.com/features/podcast-richard-curtis-on-steven-spielbergs-war-horse</link>
		<comments>http://www.scriptmag.com/features/podcast-richard-curtis-on-steven-spielbergs-war-horse#comments</comments>
		<pubDate>Fri, 16 Dec 2011 16:27:09 +0000</pubDate>
		<dc:creator>Jenna Milly</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[Bridget Jones's Diary]]></category>
		<category><![CDATA[Four Weddings and a Funeral]]></category>
		<category><![CDATA[Lee Hall]]></category>
		<category><![CDATA[Notting Hill]]></category>
		<category><![CDATA[Richard Curtis]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[War Horse]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23803</guid>
		<description><![CDATA[Screenwriter Richard Curtis is a legend in romantic comedy writing -- Bridget Jones's Diary, Four Weddings and a Funeral, Notting Hill, Love Actually to name a few. So, how did one amazing rom-com writer get to adapt a period drama about a boy separated from his horse during World War I? He got a call from Steven Spielberg, that's how.]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/podcast-richard-curtis-on-steven-spielbergs-war-horse/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>TV Writer Podcast 044 &#8211; John Finch (A Family At War, Sam, Coronation Street)</title>
		<link>http://www.scriptmag.com/features/tv-writer-podcast-044-john-finch-a-family-at-war-sam-coronation-street</link>
		<comments>http://www.scriptmag.com/features/tv-writer-podcast-044-john-finch-a-family-at-war-sam-coronation-street#comments</comments>
		<pubDate>Thu, 15 Dec 2011 21:09:59 +0000</pubDate>
		<dc:creator>Gray Jones</dc:creator>
				<category><![CDATA[Craft]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Multimedia]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Writer Profiles]]></category>
		<category><![CDATA[A Family At War]]></category>
		<category><![CDATA[Author]]></category>
		<category><![CDATA[Coronation Street]]></category>
		<category><![CDATA[John Finch]]></category>
		<category><![CDATA[Sam]]></category>
		<category><![CDATA[TV Writer Podcast]]></category>
		<category><![CDATA[TVWriterPodcast]]></category>
		<category><![CDATA[UK]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23786</guid>
		<description><![CDATA[This week we are proud to welcome the creator of some of the UK's finest and highest-rated TV series of the 1970s, recipient of the Best Series Writer award by the Writers Guild of Great Britain, writer-author-series creator John Finch!]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/tv-writer-podcast-044-john-finch-a-family-at-war-sam-coronation-street/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Balls of Steel: Therapy for Your Character</title>
		<link>http://www.scriptmag.com/features/balls-of-steel-therapy-for-your-character</link>
		<comments>http://www.scriptmag.com/features/balls-of-steel-therapy-for-your-character#comments</comments>
		<pubDate>Thu, 15 Dec 2011 17:20:27 +0000</pubDate>
		<dc:creator>Jeanne Veillette Bowerman</dc:creator>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Showcase]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23815</guid>
		<description><![CDATA[In order to emotionally evolve a character, you need to be able to identify why he has chosen not to evolve prior to the moment in time your story begins.]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/balls-of-steel-therapy-for-your-character/feed</wfw:commentRss>
		<slash:comments>6</slash:comments>
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