Given how long it can get to write a new screenplay, shouldn't a writer have a method to decide on the best possible movie ideas that merit development?
Writer/Director Steve Pink (High Fidelity, Hot Tub Time Machine) discusses rewriting gigs, directors who inspire him and much more.
We're excited to take part in DePaul’s School of Cinematic Arts’ 2nd annual Courier 12 Screenwriting Conference, Saturday, May 21, 1:00-7:30 PM! The event takes place at 247 S. State, lower level. Free admission but seats are limited.
Attorney Mark Litwak, Esq. explains the intricacies of protecting your writing from borrowing elements to stolen ideas.
Michele Wallerstein, former screenwriting agent of 30 years, shares advice on the business of screenwriting beginning with how to make Hollywood need you.
It's not just who you know, it's how good you are. Corey Mandell explains why there's no short cut to having the writing talent it needs to succeed.
Kathy Berardi explains how making a short film will improve your screenwriting.
Producer Wendy Kram offers advice on what to include in your pitch, how to approach an executive and the preparation needed to succeed at a pitchfest.
Glenn M Benest explores the importance of finding a screenwriting mentor and his upcoming webinar exploring the techniques of master storyteller Tony Gilroy.
In the film business, rejection is inevitable. It’s a kick in the gut. Where you go from there is completely up to you. Discover the upside to the downside.