Jen Grisanti explains how your character's “all is lost” moment is an essential step for both the plot of your story and character growth.
The biggest problem many screenwriters who have trouble with is writing great action sequences. Glenn Benest gives tips to grab your reader.
Most TV shows are written by staffs, so they're not actively looking for new scripts, writers, or story ideas. But that doesn't mean they never take submissions.
Filmmakers of documentary shorts delve into themes of chaos, survival, and a glimpse into a life of the city that forever evolves and a time that cannot be forgotten.
Given how long it can get to write a new screenplay, shouldn't a writer have a method to decide on the best possible movie ideas that merit development?
Writer/Director Steve Pink (High Fidelity, Hot Tub Time Machine) discusses rewriting gigs, directors who inspire him and much more.
We're excited to take part in DePaul’s School of Cinematic Arts’ 2nd annual Courier 12 Screenwriting Conference, Saturday, May 21, 1:00-7:30 PM! The event takes place at 247 S. State, lower level. Free admission but seats are limited.
Attorney Mark Litwak, Esq. explains the intricacies of protecting your writing from borrowing elements to stolen ideas.
Michele Wallerstein, former screenwriting agent of 30 years, shares advice on the business of screenwriting beginning with how to make Hollywood need you.
It's not just who you know, it's how good you are. Corey Mandell explains why there's no short cut to having the writing talent it needs to succeed.