Ashley Scott Meyers talks with filmmaker Chad Ridgely about his move to Los Angeles from the East Coast, his early days in L.A., selling his first pilot script, and how he has successfully produced two feature films.
We all struggle with the issue of quantity versus quality, but most of us do not fully appreciate how essential it is to be able to write a lot of material quickly. Marilyn Horowitz answers how much is enough.
Claudia Johnson & Matt Stevens explore the best ways to find the right writing partner—can a friend be a prospective co-writer?
David S. Cohen goes behind the scenes with Seth Rogen and Evan Goldberg. Superbad, the script they started on a whim, became a summer release from Sony some 11 years later.
Getting your script ripped apart can be heartbreaking. Vicky Hinault gives 6 tips for dealing with honest feedback.
Contrary to a lot of thinking, words aren’t universally defined and meanings can change. Words can mean different things according to the context they’re used within or the group who uses them.
Judy Burns has been a reader and a writer who, like many others, had to network to get noticed. She shares advice on choosing contests for screenwriting contest success.
Ashley Scott Meyers talks with filmmakers Anna Mehle and Molly Reynolds about their new web series, Baked Goodes. They share how they found their collaborators, wrote the scripts and shot the series.
One of the best ways to learn story structure is to analyze successful films. Salva Rubio beats out the film, "Lost in Translation" in his new book 'Save the Cat Goes to the Indies.'
Meet George the writer. She knows everything about breaking into TV writing the wrong way and in so doing, hopefully shows you the right way. Here, she attempts to break through the fourth wall – out of theatre and into television...