Cutting scenes can be brutal for a screenwriter, but even more so when a studio orders it. John Buchanan explores why Hollywood cuts character-driven scenes.
Aaron Mendelsohn sits down with Script to discuss his long, successful career and how his experience informed his new book.
Paula Landry gives tips to update your screenwriting resources by adding the right tools, programs and apps to increase your productivity and turbo charge your work.
Manny Fonseca takes a look at some of the things one should know when it comes to moving to (or visiting) Hollywood.
Cheryl Laughlin talks with Hush Money's Terrell Lamont about the ins and outs of screenwriting for microbudget films and how to make every scene work double time.
The evolution of the screenplay for Spiderman and the many changes that the characters underwent before emerging on the big screen are fascinating ... and a useful study in development for any screenwriter.
T. Jay O'Brien explains the benefits for writers to join a good writers group, some of which you may not have considered before.
Playwright / screenwriter Alecky Blythe talks about how her musical play, 'London Road,' went on to become a feature film starring Tom Hardy.
Wanna know WHY YOU NEED to be writing High Concept spec screenplays? Unknown Screenwriter, a long-time Hollywood ghost writer, explains why and how it can eventually make you rich...
Your writing has to be universal, not just your characters, when considering foreign markets. How to find out if your screenplay is ready to travel.