Documentaries are often labelled subjective or objective, but arguably a purely objective documentary does not exist. Susan Kouguell explains why.
Writer and theatrical improviser Brett Wean reveals the five key elements to consider when writing Act One of a screenplay.
Rebecca Norris interviews Tammy Lynn of Spotlight PR, about how publicists go about getting press for a web series and creating buzz for content creators.
Script Angel's Hayley McKenzie asks what is a unique writing voice and how do you find yours?
With so many screenwriting experts out there, whom should you believe? Jeanne Veillette Bowerman challenges you to not drink the Kool-Aid and gives tips on navigating conflicting advice.
Screenwriter Jose Prendes encourages writer not to fear the blank page. The 'Fade In' is a call to a battle that you must not shrink away from!
Dave Trottier, AKA Dr. Format, explains although you often hear the advice to avoid flashbacks, they’re perfectly legitimate if used properly.
A professional, WGA Writer bats around the logistical question of the protagonist also being the antagonist in a script. Can a hero also be the villain?
Script Angel's Hayley McKenzie helps you discover if you really need every scene in your script.
Updating fables is a brainstorming technique that involves taking a famous or obscure work from literature or the movies and making it contemporary.