BEHIND THE LINES WITH DR: New Movies – Bored in the USA

Doug Richardson’s first produced feature was the sequel to Die Hard, Die Harder. Visit Doug’s site for more Hollywood war stories and information on his popular novels.

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Bored in the U.S.A.

It happened on a recent weekend. I’d bragged to my son about my bad old days of movie geekdom. I recalled for him a time when a friend and I, along with a former college professor, used to jam in a weekend of theater and film.

Bored in the U.S.A.I’m talking a binge-fest. No. Not the kind of over-indulging often associated with Netflix and Hulu. I’m talking if we could fit it in, we’d drive to the venue, pay the ticket, consume it with full relish, hop in the jalopy and move on to the next unspooling. From late morning showings to midnight, we’d gorge ourselves on whatever projected product we could fit around a couple of stage productions, fast food, capped off by a two AM deli meal and a discussion of the day’s consumption of pop culture.

I suppose my boy thought it was worth trying—though with a few modifications. Instead of stage plays employed as buffers between movies, we used football games. College on Saturday, NFL on Sunday. And yeah, I allowed him to choose the movies.

Know that I’m penning this more from the point of view of a film lover than a filmmaker. Possessing a passion for cinema is the source. We work at the art form because we love the art form. For me, movies both entertain and sustain. And Lord even after all these years, once I park myself in a movie house and the lights dim, I’m taken back to the womb. There’s that electric buzz inside me, anticipating being delivered into that collective dream state. For me, that moment is sacrosanct.

As my son and I settled into our first show, a recent sci-fi extravaganza, I found myself almost instantly dulled into submission. Sure, the movie was pretty wooden with all the emphasis being put on effects over content. That must’ve explained my lack of enthusiasm for the pic. I kept sucking on the caffeine contained within my mega Diet Coke to keep myself awake and quietly wished popcorn was back on my diet.

After wrapping up the first picture, we retired to watch a football game and plot our next movie, an R-rated comedy sequel. We paid, we found our assigned seats, the lights extinguished, and by the second reel, I was bored again. Sure, the picture had some moments. Belly laughs. But between the funny and the flimsily constructed story beats, I was once again fighting off falling into a dumbed-down stupor. I constantly checked my phone. My son kept nudging me, hoping I’d get my attention back on the movie.

As I retired to bed, I felt myself ruing the oncoming day. What other two pictures might my teen choose from the Cineplex pool. The super-hero leftover from three weekends earlier that was still grappling for an ever-smaller piece of the box office pie? Or the over-wrought Young Adult saga which promised a young heroine fending off both aliens as well the affections of two pouty, muscle-yoked not-quite-ready-for-prime-time leading dudes?

Instead of sleeping, I felt myself already writing off Sunday before it had even arrived.

Now, before you club me for sounding like a lousy parent—ergo my concern for content being greater than the young company I was keeping—please stow your big stick until I’ve completed my thought. There will be plenty of room in the comments section for beating the baby seal in me.

During that sometimes difficult tick tick tick between lights-out and daybreak, I tried to trace the source of my boredom. My first thought was that I’d become jaded. Or even cursed. After years in the business, thousands of viewed movies, and rewriting hundreds of mine and others’ plot lines, it was possible that it had become harder for me to find surprise in most movies. I’d not only seen nearly all the dramatic combinations, but spent so many years behind the scenes that I was too aware of the marionette working the puppets’ strings. I knew the tricks. Magicians offered me little magic.

Then again, I argued with myself, if I was so inured to most movie stimuli, why was it when I saw something simple and earnest was I still moved? Why when I watched movies I’d seen over and over again—pictures I’d practically memorized frame for frame—was I just as transfixed as when the picture had first unspooled before me?

Damn, I concluded to myself. As a general rule, modern movies just plain suck. No longer were they invested with characters whose jobs were to share their struggle with the audience. Those simple axioms of melodrama had been replaced by digital or comedic set pieces built more to please man’s need for spectacle or shock than the desire to be emotionally confronted.

Sure, there were the exceptions. There always are. That’s why they are labeled as such. But mind you, Hollywood has suffered many spells of succumbing to the short term need to produce crap over substance. The bottom line has always been about the almighty dollar. But the honchos chasing the box office buck used to be fans as big on the art form as they were stewards of the studios’ balance sheets.

As I lay there, staring at the ceiling and waiting for the Sunday sun to breach, I recalled how movie meetings used to begin. Usually after a bit of personal chatter, the conversations often swerved into movies we’d all seen. For ten or so minutes we’d all—from suits to scribes—allow ourselves to be reduced to movie geeks. We’d gab and giggle about actors, directors, rich dialogue, and those filmic flourishes that made each and every one of us feel lucky that we were in such a cool business.

No longer, folks. At least not so much anymore. Meetings are faster, more to the expedient point, often on the phone for convenience, and geared as much toward marketing and concept as they are story and content—which wouldn’t be so awful if I felt like we were all coming from the same place of cinematic fandom.

Over a Sunday breakfast slam at a local Denny’s, my boy cleared his throat and asked if we could bag on the afternoon movies and just watch football. All at once my soul leapt for joy while my heart sunk. I pretty much knew his reply before I’d asked him why.

“I’m kinda bored with movies,” he said.

Yeah. I had to agree.

Have no fear, though. I’m not in any way predicting the death of motion pictures. Just marking out a spot in the cycle. When film fails, television has a knack for picking up the dramatic slack. Presently, there’s so much quality to watch on the tube. From smart to tart. And it’s not necessarily small screen fare anymore, witness the affordability of large, hi-def televisions and the sounds systems to go with them.

My guess is that by the time TV burns through its present heyday, movies will be on the comeback. I just hope I’m around to buy a ticket.

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2 thoughts on “BEHIND THE LINES WITH DR: New Movies – Bored in the USA

  1. kyaksich

    Doug:

    First, thanks for taking the time to write these blogs. The inside high and low moments you’ve personally experienced in Hollyweird are priceless and edifying.

    Unfortunately, my daughter has grown and left me; otherwise, I’d try your binge idea. The queston you raise about the state of movies is timely for me as I’ve been tossing the notion around, “is it me or them?”

    Like you, I grew up with a passionate love of film. Specifically, it was a movie’s ability to take me to a time or place I could never experience in reality. That view alone probably shaped my desire for the type of movies that have stayed with me.

    The first “impact film” for me was on my tenth birthday, my father, who never usually took the five kids to the movies unless it a biblical spectacular (e.g., Ten Commandments — please, no!), took me to the 70mm version of Bridge Over the River Kwai. This was’64, some years after the film was out but the Uptown Theatre in D.C. had a magic quality to it on its own, and that film defined for me my movie universe.

    After that, I saw a wide variety of films as I grew up, Bond, any Western, Woody Allen and horror (Rosemary’s Baby, anything war, anything sci-fi). But now, all these years later, I can’t handle horror, or most American comedies, or God forbid, Superhero movies.

    I’ve asked myself: is it me or them (the purveyors of this dreck)? I’m firmly on the side of “it’s them.”

    Maybe it’s the mentality of “same but but different” where, in the end, you really wind up with the same. However, after years of not going to the theater and watching only from home, I’ve started back to the theatre. Searching. Hoping. But now there are rules.

    The first is minimal investment. I only go to a nearby metroplex where I hit the first morning film on a Saturday for the lowest price (Denver, CO low is $6.50). I’m also slective, waiting for what I hope to be the “right” movie gamble.

    I’m writing a WWII combat movie now so I had to see Fury. Not bad, not great. Wouldn’t hold me for a lifetime. I liked the vision of Interstellar. Not perfect in every frame or beat but some real art to it. Imitation Game? Standard structure but the sum of the parts really glowed and hit home.

    Despite some recent sucess, when was I last constantly surprised by the completely unexpected turns and twists? I’m old now but God help me if I can remember. Maybe I’m the only peson on the planet that thought “Gangster Squad” was brilliant for what it aimed to do and be.

    I won’t quit hoping that something will come along – one day soon – that will take me back to the moment in ’64 when my world opened up with the rotting jungle, the unimaginable human cruelty, the moral twists of one well-meaning British commanding officer in the face of all that was wrong.

    I’m leaving the door open.

  2. jdannyw

    Doug, I like you and many others, have the fond, nostalgic memories that movies provided to me as a child. While you and I are in different generations; movies like ET, Jurassic Park, Jaws, and later Terminator, and yes Die Hard, are examples of memorable film making. Maybe movies are too rushed these days and there aren’t as many solid writers that work to the bone to develop their craft. I watched the movie Whiplash this weekend and your discussion reminded me of the message in that movie- there aren’t as many Charlie Parkers today because it’s easy to be content with being good. We need more Charlie Parkers, more people who strive to be great. My son has some movies he’s fond of during his childhood but when I think of the classics that have come in his short 10 years, most are animated films, which seems to be the genre where some of the great story telling still resides.

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