Wanna know WHY YOU NEED to be writing High Concept spec screenplays? Unknown Screenwriter, a long-time Hollywood ghost writer, explains why and how it can eventually make you rich...
Marty Lang explains effective networking by using social media, online research and writers conferences.
Kim Garland interviews writer/director Chris Sparling on his journey to getting his breakout film — BURIED — made and his thriving career today.
Producer Wendy Kram offers advice on what to include in your pitch, how to approach an executive and the preparation needed to succeed at a pitchfest.
Jeanne Veillette Bowerman talks to former Nickelodeon Fellowship winner, Christopher J. Moore, on why he's turning his spec scripts into novels.
To get a screenwriting agent, your script has to be amazing. Don't approach feedback in a "lie to me" way. Demand honesty, even if it hurts.
Steve Kaire gives helpful tips on how to get a literary agent to represent you, even if you aren't produced.
Paul Peditto discusses the agent relationship, conversations with agents, how to keep an agent, and some examples of what you never want to tell a screenwriting agent.
How Not to Fire Your Rep. It’s never an easy decision, firing your representation,but sometimes it’s a necessary evil. Click Here to read more.
Steve Kaire explains the differences between a screenwriting agent, manager and entertainment attorney.