Doug Richardson ponders the challenges of surviving as a female writer navigating pitch meetings. How do you push past the good-ol-boy practices?
Life as an assistant in Hollywood can be long and thankless, luckily it can also be comical. This week, Manny Fonseca tells some of his funnier stories.
Christopher Schiller gives details of how to properly get that payment out of the ones who owe us money and what to do when they give us resistance.
This first of a two-part series of columns focus is all about the details of getting paid, what to expect and when, how to specify your needs and realize the requirements for meeting them and how to recognize when what you are due isn't forthcoming.
Most TV shows are written by staffs, so they're not actively looking for new scripts, writers, or story ideas. But that doesn't mean they never take submissions.
Negotiations: Secrets you need to know when there’s money on the table. The folks with the money are going to keep it their own pockets as long as possible.
It’s great news that an agent has expressed interest in representing you, but do not jump into a relationship without making sure the agent is a good fit for you and your work.
Sometimes, moving to L.A. is the next step in your career. What do you really need to know to plan your screenwriting career move to L.A.?
Steve Kaire speaks to the value of a logline for pitching your script on one sentence. What should a logline be? Click here to learn more.
Screenwriter and professor Brad Riddell lists ten rules for giving and receiving script notes.