Screenwriters always how to sell a script, but Ray Morton explains the better question really should be how to get your screenplay read by a potential buyer?
Ray Morton explores the many flaws in the movie, Passengers, coming up with a much more compelling execution plan for the original premise.
Some writers complain that Ray Morton's script assessments are a bit harsh – that he focuses more on the negative aspects of their scripts than the positive. “Why can’t you be nice?” they ask plaintively.
In the past decade or so, movies have become enamored of backstory. Ray Morton explains the art of revealing backstory without excessive prologues or flashbacks.
Ray Morton explains how for a screenplay to be successful, it must be a movie – the material in the script and the manner in which it is presented must be such that it is plausible that a motion picture could be made from it. You’d be surprised at how many...
With the growing number of film franchises, Ray Morton takes a look at the original franchise, 'Planet of the Apes,' and see what lessons we might learn from it.
While it is always his goal to find material he can recommend, Ray Morton passes on 90% of the scripts he reads. Find out what gets a script a pass.
Ray Morton discusses how much of today’s darkness in films feels like style rather than substance, risking leaving an audience feeling it's inauthentic.
Ray Morton discusses what lessons the best and worst films in the genre have to teach us about writing a super-script.
Screenplays unfold from beginning to end without breaks. Readers do not have the time to stop reading to consult any supplemental material.