Screenwriter Peter Iliff (Patriot Games, Point Break) wanted more from his career. So, using the resources he could find and the connections he’d made, Iliff took the leap to writer-director with his film Rites of Passage … and he couldn’t be happier.
Tom Ford, writer and director of A Single Man and Nocturnal Animals, discusses his journey from fashion designer to filmmaker and the adaptation process.
As a New York Times Hardcover Fiction Best Seller and one of the most blockbusting films of the summer of 2011, The Help found its bearings in a childhood friendship between the novelist and filmmaker. Writer-director Tate Taylor discusses how his belief in his friend Kathryn Stockett meant that he was going...
Industry executive and writer Robin Schorr shares her path to breaking into the business in our look back into the Script magazine archives.
Michael Brandt discusses his move to directing, what he learned about writing from his new perspective, and what screenwriters should consider about becoming a hyphenate themselves.
A general meeting surprisingly landed writer Eric Heisserer the job of bringing back one of the most frightening villains of the 80s. He takes us into the franchise reboot of 'A Nightmare on Elm Street' and the many challenges he faced—including the origins of Freddy Krueger and the role of sleep...
Alien first contact is a long-held traditional theme in cinema, but rarely has it been shown with such delicate beauty as in Arrival, directed by Denis Villeneuve and adapted for the screen by Eric Heisserer.
Roe Moore interviews screenwriters Rhett Reese and Paul Wernick on 'Deadpool' and advice for writers.
Scribes Michael Brandt and Derek Haas use their experience in the industry to provide a two-step guide for helping writers achieve that elusive script sale.