Tim Long discusses the pitfalls of putting plot before character.
A legendary Marvel Supervillain makes his debut in the Marvel Cinematic Universe. How does he stack up with the other antagonists in the MCU?
Dave Trottier, AKA Dr. Format, discusses proper screenplay format when dealing with action and dialogue.
Cutting scenes can be brutal for a screenwriter, but even more so when a studio orders it. John Buchanan explores why Hollywood cuts character-driven scenes.
Cheryl Laughlin talks with Hush Money's Terrell Lamont about the ins and outs of screenwriting for microbudget films and how to make every scene work double time.
The evolution of the screenplay for Spiderman and the many changes that the characters underwent before emerging on the big screen are fascinating ... and a useful study in development for any screenwriter.
Your writing has to be universal, not just your characters, when considering foreign markets. How to find out if your screenplay is ready to travel.
The third edition of 'I Liked it, I Didn't Love It' was recently released. Script caught up with Rona Edwards and Monika Skerbelis to discuss what's new in this edition and the world of filmmaking, in general.
When you sit down before the live read, accept there are flaws in what’s about to be heard. Understand it’s just words on a page and embrace the feedback to make your script better.
If your screenplay is consistently rejected, then Bang2write's Lucy V has a plan of action for you.