Tom Ford, writer and director of A Single Man and Nocturnal Animals, discusses his journey from fashion designer to filmmaker and the adaptation process.
Brian Selznick discusses the excitement that ensued during the writing of Wonderstruck, his past experiences with working with the creative minds behind Wonderstruck and his previous success, Hugo.
With Hollywood's love of adapting intellectual property, Marty Lang discusses the hundreds of years worth of stories that anyone can use without paying a dime. They live in what's called the public domain.
Susan Kouguell speaks with Marshall Executive Producer Chris Bongirne and screenwriters Michael and Jake Koskoff.
Jay Thornton explains how screenwriters must be storytellers who master multiple mediums. Dive in for Jason's novel writing tips for screenwriters.
At the New York Film Festival press conference, film critic Amy Taubin interviewed Dee Rees and her Mudbound ensemble cast.
With a great story in script form, Muriel Stockdale decided to dive in and turn her screenplay into a novel. She takes you on the liberating journey of writing in a new medium.
With so many pro screenwriters turning their spec scripts into novels, why not take a stab at it yourself by using November's National Novel Writing Month to turn your screenplay into a novel!
Griff Furst talks about his latest film, Cold Moon, a supernatural thriller starring Christopher Lloyd and Frank Whaley, sharing his entire process from optioning the film rights for the book, to writing the screenplay, to producing the film.
As a New York Times Hardcover Fiction Best Seller and one of the most blockbusting films of the summer of 2011, The Help found its bearings in a childhood friendship between the novelist and filmmaker. Writer-director Tate Taylor discusses how his belief in his friend Kathryn Stockett meant that he was going...