Doug Richardson, writer of 'Die Hard 2,' goes into detail giving tips on how to write actions scenes that are compelling.
Two of the most misunderstood positions in the film industry are script supervisor and script coordinator. Roe Moore provides insight for writers on what to expect when a script goes into production.
If you're looking to get a screenplay of yours made, Marty Lang proposes you try something you probably haven't done before: Write your script in reverse.
Brett Wean explains how the mistakes a character makes can help define him and clear a path to his becoming a hero.
When it comes to writing a screenplay scene, many spec scripts fall into the same traps again and again. But here are 3 easy hacks you can use to avoid them.
Cutting scenes can be brutal for a screenwriter, but even more so when a studio orders it. John Buchanan explores why Hollywood cuts character-driven scenes.
Cheryl Laughlin talks with Hush Money's Terrell Lamont about the ins and outs of screenwriting for microbudget films and how to make every scene work double time.
Writing a scene takes time. In the course of 10 years of development and scripting 'Defiance,' their take on the climax of the movie changed. The team shared the scene's journey with Script.
Have you ever been told that your script scenes lack energy? Excitement? If your script scenes are falling flat, Alex Bloom has a great way of fixing it.
The biggest problem many screenwriters who have trouble with is writing great action sequences. Glenn Benest gives tips to grab your reader.