Vanessa Redgrave’s debut as a documentary filmmaker in Sea Sorrow is a plea for a compassionate western response to the refugee crisis.
Director Agnès Varda and photographer/muralist JR travel through rural France, forming a powerful friendship in their first film collaboration Faces Places.
The Scoop is an online talk show that pairs entertainment professionals and artisanal ice cream and springboards from there. Cheryl Laughlin takes you behind-the-scenes.
Getting feedback in Hollywood can sometimes be discouraging. This week, Manny Fonseca shares some of the recent feedback he's gotten on his scripts.
Screenwriter Adam Gaines shares the challenges of crafting the microbudget thriller, NEGATIVE, in a way the audience won't miss the lack of special effects and rocket launchers.
Susan Kouguell interviews Ramona Diaz, filmmaker of Motherland, a poignant documentary in the heart of the planet’s busiest maternity hospital in one of the world’s poorest and most populous countries: the Philippines.
Yvonne Grace talks about the craft of script editing and how you can apply key script editing approaches to improving your own, and other's scripts.
Oscar-winning writer and director Jane Campion spoke with Dennis Lim at the opening night of her retrospective titled Jane Campion's Own Stories, about Top of the Lake, The Piano, and being a female filmmaker.
A new director attaching to your project usually means rewrites. This week, Manny Fonseca updates you on the status of his current script, Whittier.
Dan Goforth talks with Writer-Director-Producer Michael Williams on how he got THE ATONING, his followup to OZLAND, into Redbox distribution.