Entertainment attorney Christopher Schiller explains the intricacies of packaging a film... as well as the dilemmas.
Film collectives are popping up around the country. Marty Lang shares information about a new collective dedicated to filmmaking in the Nutmeg State that gives state residents a place to go to help make their projects happen, a place they call the Nutmeg Institute.
Collaborating with friends has always been a tightrope act. Jeanne Veillette Bowerman gives tips to help you not lose the friendship over the course of a project.
Paul Peditto takes you behind the camera to prepare you for the production of your first movie. A must-read etiquette guide for the Writer On Set.
Years ago, the only way you could get a film made was to spend near-obscene amounts of money. Marty Lang discusses the new revolution of smartphone filmmaking.
History has shown us some seriously creative thinking by writers to get their work noticed. Marty Lang shares out-of-the-box screenwriting tactics.
Two of the most misunderstood positions in the film industry are script supervisor and script coordinator. Roe Moore provides insight for writers on what to expect when a script goes into production.
As you create your next script, Marty Lang suggests thinking like a production manager may help it stand out among the pack.
Some filmmakers have developed a team-oriented approach to creating films. While these teams have different structures and focal points, they share one thing: They're groups of creative people working together to make new work. And they're called collectives.
Lift your script to next level. Hester Schell offers advice on table reads, basic differences between table reads and staged readings and where to find actors.