Cheryl Laughlin talks with Hush Money's Terrell Lamont about the ins and outs of screenwriting for microbudget films and how to make every scene work double time.
Kim Garland interviews writer/director Chris Sparling on his journey to getting his breakout film — BURIED — made and his thriving career today.
Filmmaking wizard Michael Williams talks about his journey in bringing "Ozland" to the screen.
Shawn Tolleson had a spontaneous post-film screening Q&A and one big question overshadowed them all… How did you get that dang film into production?
Writer/director Kim Garland shares her process for analyzing her work and extracting all of the film directing lessons she can from each film she makes.
Dan Goforth talks with Pixar's screenwriter/director Steve Purcell about writing and directing in making the move from features to short films.
Kevin Delin explores if Ava DuVernay, director of Selma, missed an opportunity to educate through art and lost an Oscar nomination in the process.
You've dabbled in short films, but now you want to take the next challenge. Dan Goforth discusses how to make the move from directing shorts to feature films.
'Love is Strange' by director Ira Sachs and Mauricio Zacharias touches on questions that have always been important to older Americans.
There’s only so long you can talk before you need to get off your ass and do. And that’s where I find myself today, getting back on my filmmaking horse and heading out to make another film. When I made my first two short films, I made them back-to-back, just about as quickly as...