Manny Fonseca gives you an intimate peek behind the curtain of developing a script with a big named director. From notes to budget to casting.
Writer/Director Heather Taylor explains the three versions of a film: the one you write, the one you direct and the one you edit. Rewriting is inevitable.
Paul Peditto discusses the making of 'Jane Doe' (Part 3).
Cheryl Laughlin talks with Hush Money's Terrell Lamont about the ins and outs of screenwriting for microbudget films and how to make every scene work double time.
Kim Garland interviews writer/director Chris Sparling on his journey to getting his breakout film — BURIED — made and his thriving career today.
Filmmaking wizard Michael Williams talks about his journey in bringing "Ozland" to the screen.
Shawn Tolleson had a spontaneous post-film screening Q&A and one big question overshadowed them all… How did you get that dang film into production?
Writer/director Kim Garland shares her process for analyzing her work and extracting all of the film directing lessons she can from each film she makes.
Dan Goforth talks with Pixar's screenwriter/director Steve Purcell about writing and directing in making the move from features to short films.
Kevin Delin explores if Ava DuVernay, director of Selma, missed an opportunity to educate through art and lost an Oscar nomination in the process.