Years ago, the only way you could get a film made was to spend near-obscene amounts of money. Marty Lang discusses the new revolution of smartphone filmmaking.
Marty Lang talks with Gary King about how he developed the story of his new horror film 'Among Us', the challenges of producing your own work, and the value of the friends and family network.
Westerns suffer the same naysaying slathered all over romcoms that “Westerns are dead.” Except great Western films are out there just like any other genre.
With an entrepreneurial mindset and a little research, Marty Lang explains how you can find opportunities to bring your work to life as an international co-production.
As you create your next script, Marty Lang suggests thinking like a production manager may help it stand out among the pack.
If you're looking to get a screenplay of yours made, Marty Lang proposes you try something you probably haven't done before: Write your script in reverse.
Film location is critical to story -- sometimes location is a character in and of itself. Doug Richardson explains what happened when the powers that be wanted to change the location of 'Die Hard 2.'
Marty Lang shares how utilizing crowdfunding can help you become a more effective networker.
Christopher Schiller explores how the location of a scene, the community it's placed within, the backdrop the action plays in front of and through, all contribute to the audience's experience.
In Part 2, Doug Richardson takes you on location as he and his director scout the East Harlem music scene.