Paula Landry gives tips on creating a one-pager, often called a "leave behind," allowing you to better share your screenplay pitch with executives.
Since writing now happens in the digital world, we can actually create new screenwriting practices that don't focus on print. Marty Lang explores how incorporating digital technology in screenplays could dramatically change collaboration and filmmaking.
Entertainment attorney Christopher Schiller explains the intricacies of packaging a film... as well as the dilemmas.
Dan Goforth talks with Writer-Director-Producer Michael Williams on how he got THE ATONING, his followup to OZLAND, into Redbox distribution.
Cheryl Laughlin interviews director Leah Warshawksi of the documentary film 'Big Sonia' – on women in films, finding the truest version of your story, and the #SmallMattersBig push for an Academy Award nomination.
Rebecca Norris gets the scoop on feature film self-distribution on streaming channels and VOD from award-winning director, producer, and writer Cindy Baer.
Dan Goforth discusses funding your film and interviews Seed&Spark's Julie Keck who explains the intricacies of crowdfunding.
Paul Peditto discusses the making of 'Jane Doe' (Part 3).
Jason Buff suggests if you want to sell your low-budget indie film, don't do it by writing the script first. He's got 5 great steps to take to help you find funding and distribution early in the game.
Your writing has to be universal, not just your characters, when considering foreign markets. How to find out if your screenplay is ready to travel.