Yvonne Grace talks about the craft of script editing and how you can apply key script editing approaches to improving your own, and other's scripts.
Oscar-winning writer and director Jane Campion spoke with Dennis Lim at the opening night of her retrospective titled Jane Campion's Own Stories, about Top of the Lake, The Piano, and being a female filmmaker.
A new director attaching to your project usually means rewrites. This week, Manny Fonseca updates you on the status of his current script, Whittier.
Dan Goforth talks with Writer-Director-Producer Michael Williams on how he got THE ATONING, his followup to OZLAND, into Redbox distribution.
Back in March, Script magazine conducted an interview with Hollywood-Danish actor Lukas Hassel about directing, writing, and acting in his own films. Natalia Megas caught up with Lukas to get the ins and outs of winning and receiving a production deal and grant from HollyShorts Film Festival.
Years ago, the only way you could get a film made was to spend near-obscene amounts of money. Marty Lang discusses the new revolution of smartphone filmmaking.
Michael Brandt discusses his move to directing, what he learned about writing from his new perspective, and what screenwriters should consider about becoming a hyphenate themselves.
Marty Lang talks with Gary King about how he developed the story of his new horror film 'Among Us', the challenges of producing your own work, and the value of the friends and family network.
Before you whip out your smartphone camera, learn from Asmara Bhattacharya, a tired festival screener, what mistakes to avoid for film festival success.
Cheryl Laughlin interviews director Leah Warshawksi of the documentary film 'Big Sonia' – on women in films, finding the truest version of your story, and the #SmallMattersBig push for an Academy Award nomination.