Have you spoken out in your dialogue every intention and emotion? Don’t rob the characters of chances to find emotion in between the words. Paul Peditto examines some examples of dialogue subtext.
Script Magazine's Dan Goforth talked with one half of The Erwin Brothers, writer-director Jon Erwin, about making the movie "I Can Only Imagine" from a Billboard hit song.
Great screenplay writing has strongly defined characters that attract financiers, studios, actors, and directors. Wendy Kram gives advice on creating memorable characters.
Paula Landry dives into story basics, from structure to plot to audience satisfaction.
The Scoop is an online talk show that pairs entertainment professionals and artisanal ice cream and springboards from there. Cheryl Laughlin takes you behind-the-scenes.
Getting feedback in Hollywood can sometimes be discouraging. This week, Manny Fonseca shares some of the recent feedback he's gotten on his scripts.
Yvonne Grace talks about the craft of script editing and how you can apply key script editing approaches to improving your own, and other's scripts.
A new director attaching to your project usually means rewrites. This week, Manny Fonseca updates you on the status of his current script, Whittier.
Great scripts start with great ideas. Sabina Giado explains how lists can be the best way to snare that great concept.
Luck is discipline, period. Discipline is writing in spite of whatever is going on. No matter what. And the more you work at it, the luckier you get.