Writer/director Kim Garland shares her tips for writing a great short film by focusing on what is unique to this form.
How do you GRAB your audience's attention? Use your five senses in your writing. Plain and simple. William Dickerson explains.
Clive Davies-Frayne explains how screenwriters can learn from Banksy's attitude to the relationship between creation and money.
In part one of this series, Rebecca Norris gives helpful advice on getting a web series in festivals to gain recognition, awards, and connections.
Pre-production planning can't always guarantee a smooth film production. Entertainment Attorney Christopher Schiller gives tips for flexibility on set.
Script Magazine speaks with the producer and screenwriter of 'If We Left' about collaboration and the challenges of bringing a heartfelt real-life story to the screen.
Writer/director Kim Garland shares her process for analyzing her work and extracting all of the film directing lessons she can from each film she makes.
Clive Davies Frayne discusses the need for originality as a vital part of the writing process. It's possible to understand originality as a process in and of itself.
Dan Goforth asks entertainment attorney Stacey Davis to tell filmmakers the things they need to know to get their film off the page and into production.
Clive Davies-Frayne believes that the professional independent film production needs a radical change in philosophy and ethos and that these changes need to be driven by writers. His insights demonstrate the challenges the digital age have presented for screenwriters.