Paula Landry gives tips on creating a one-pager, often called a "leave behind," allowing you to better share your screenplay pitch with executives.
Ray Morton examines the heart of a dramatic story. A story that does not have this form and structure and that does not contain these elements may be a narrative, but it will not be drama.
The latest women in action at the box office would share enthralling stories if we asked, “What do you do?” Go beyond a character’s career and explore what she does in the plot to develop complex female characters actors want to play—and audiences want to watch.
Film critic, filmmaker, and radio host Mike Sargent interviews Scott Beck and Bryan Woods, screenwriters of the thriller, A Quiet Place, about their writing process, breaking into the business, and more.
Paul Peditto dives into story structure and opines while writers try to hit their structural marks, they shouldn't lose sight of the prize—storytelling. He examines the classical structure in The Matrix by way of Syd Field.
Ashley Scott Meyers talks with filmmaking duo Alston Ramsay (screenwriter) and Julius Ramsay (director) about how they were able to produce their latest thriller feature film, Midnighters.
When writing an action movies, you need powerful action happening often... but how much juice is enough? William C. Martell gives insights into finding a balance between story and action.
Ashley Scott Meyers talks with Kimble Rendall about his latest action/adventure film, Guardians of the Tomb, starring Kelsey Grammer.
Creator of The Other F Word, Caytha Jentis, shares her journey of creating and collaborating on her web series as well as the challenges of fundraising and self promotion.
Script reader and story consultant, Stewart Farquhar, gives advice on how to engage a reader by creating an emotional connection with the characters and story.