TV Writer Podcast Episode 006 – Dan McDermott

Are you wondering whether to write features or television? To try to get a pilot produced, or to work on a staff? Or are you concerned you don’t have enough time to write because of your busy family life?

This week we meet someone who does it all… Dan McDermott, co-executive producer and writer on Fox’s Human Target, which began its second season this Wednesday. Click image to play video; more details are below.


You’ll love hearing how Dan manages to write both features and television at the same time, with great success! While writing the action-packed blockbuster “Eagle Eye,” he also successfully sold the pilot for and executive produced the TV series “Angela’s Eyes.”

He shares many cool stories, including how he came up with the idea for Eagle Eye, his work on the Romancing the Stone remake, and why the iconic ending of the original Soylent Green is only the midpoint of his adaptation of the story.

Oh, yeah… and he does this all with a wife and son! He shares practical advice on how to balance family life, features, and television at the same time.

Make sure you watch Dan’s work on Human Target, airing on Fox on Wednesdays at 8/7c. Also, check out our interview with Human Target showrunner Matt Miller if you haven’t already!

Buy Gray’s book for only $4.99! Look for it on Amazon – How To Break In To TV Writing: Insider Interviews.

Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray’s YouTube channel.

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One thought on “TV Writer Podcast Episode 006 – Dan McDermott

  1. Peter

    Hi Gray Jones & Dan McDermott: Say, I watched your interview, and if Selling Time is the adaptation of the short story in Playboy I think it is, we should get together; I almost did the adaptation myself. That was before I knew about things like property rights. I was a naive film student and was so certain it had legs, I thought it must have escaped from the Meister of the Twilight Zone himself. Call me?

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