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	<title>Script Magazine</title>
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		<title>The Scoggins Report: February 2012 Pitch Scorecard</title>
		<link>http://www.scriptmag.com/features/the-scoggins-report-february-2012-pitch-scorecard</link>
		<comments>http://www.scriptmag.com/features/the-scoggins-report-february-2012-pitch-scorecard#comments</comments>
		<pubDate>Wed, 15 Feb 2012 21:22:14 +0000</pubDate>
		<dc:creator>Script Magazine</dc:creator>
				<category><![CDATA[Film Industry News]]></category>
		<category><![CDATA[Screenwriter Columns]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=27961</guid>
		<description><![CDATA[The Scoggins Report is a compilation of sales and trends in the industry. Archive editions can be found on www.thewrap.com. Details on every person, project, and company covered by the Report can also be found at www.ItsontheGrid.com. The Report is reprinted at ScriptMag.com by permission of the authors. The Scoggins Report by Jason Scoggins &#38; Cindy [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Scoggins Report: January 2012 Spec Market Roundup</title>
		<link>http://www.scriptmag.com/features/the-scoggins-report-january-2012-spec-market-roundup</link>
		<comments>http://www.scriptmag.com/features/the-scoggins-report-january-2012-spec-market-roundup#comments</comments>
		<pubDate>Wed, 15 Feb 2012 19:40:16 +0000</pubDate>
		<dc:creator>Script Magazine</dc:creator>
				<category><![CDATA[Film Industry News]]></category>
		<category><![CDATA[Screenwriter Columns]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Spec]]></category>
		<category><![CDATA[spec sales]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=27771</guid>
		<description><![CDATA[The Scoggins Report is a compilation of sales and trends in the industry. Archive editions can be found at The Business of Show Institute and on www.thewrap.com. Details on every person, project, and company covered by the Report can also be found at www.ItsontheGrid.com. The Report is reprinted at ScriptMag.com by permission of the authors. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Balls of Steel: The Road to Sundance</title>
		<link>http://www.scriptmag.com/features/balls-of-steel-the-road-to-sundance</link>
		<comments>http://www.scriptmag.com/features/balls-of-steel-the-road-to-sundance#comments</comments>
		<pubDate>Tue, 14 Feb 2012 21:05:22 +0000</pubDate>
		<dc:creator>Jeanne Veillette Bowerman</dc:creator>
				<category><![CDATA[Screenwriter Columns]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[Balls of Steel]]></category>
		<category><![CDATA[Jeanne Veillette Bowerman]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=27331</guid>
		<description><![CDATA[In most cases, the road to the Sundance Film Festival starts with crowdfunding, a group of artists, and a film in the can, screaming with independent-filmmaker pride. Or you could be a journalist with a dream. Back in 2001, Douglas A. Blackmon wrote an article for The Wall Street Journal exposing unjust enslavement of African Americans [...]]]></description>
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		<slash:comments>8</slash:comments>
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		<title>Rewriting is Writing</title>
		<link>http://www.scriptmag.com/features/rewriting-is-writing</link>
		<comments>http://www.scriptmag.com/features/rewriting-is-writing#comments</comments>
		<pubDate>Tue, 14 Feb 2012 19:13:40 +0000</pubDate>
		<dc:creator>Ray Morton</dc:creator>
				<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Screenwriting Craft]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Rewriting]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=27191</guid>
		<description><![CDATA[Just because you finished a screenplay doesn’t mean it’s actually done. The script will need to be rewritten again &#8230; and again &#8230; and again. So, you came up with a great idea for a screenplay. You mulled it over, fleshed it out, and then set to work—pouring your heart and soul and sweat into [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Ask the Expert &#8211; Writing (Not Overwriting) Description</title>
		<link>http://www.scriptmag.com/features/ask-the-expert-writing-not-overwriting-description</link>
		<comments>http://www.scriptmag.com/features/ask-the-expert-writing-not-overwriting-description#comments</comments>
		<pubDate>Mon, 13 Feb 2012 22:06:33 +0000</pubDate>
		<dc:creator>Paul Chitlik</dc:creator>
				<category><![CDATA[Ask Script Q&A]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Author]]></category>
		<category><![CDATA[Paul Chitlik]]></category>
		<category><![CDATA[Screenplay]]></category>
		<category><![CDATA[screenplay description]]></category>
		<category><![CDATA[script]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=26721</guid>
		<description><![CDATA[Paul Chitlik, professional screenwriter and author on the subject, fields a question about writing effective description in your screenplay. Question: How can a screenwriter write descriptions we can &#8220;see&#8221; without overwriting them? Answer: Here’s one of the basic contradictions a writer has to face. You know that a reader, probably not the producer, is going [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Q&amp;A: Dave Trottier, aka Dr. Format</title>
		<link>http://www.scriptmag.com/features/qa-dave-trottier-aka-dr-format-2</link>
		<comments>http://www.scriptmag.com/features/qa-dave-trottier-aka-dr-format-2#comments</comments>
		<pubDate>Wed, 01 Feb 2012 17:55:55 +0000</pubDate>
		<dc:creator>Dave Trottier</dc:creator>
				<category><![CDATA[Ask Script Q&A]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Dave Trottier]]></category>
		<category><![CDATA[Dr. Format]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[Spec]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=26221</guid>
		<description><![CDATA[Dave Trottier, author of The Screenwriter&#8217;s Bible, tackles the types of script-formatting questions that writers need answered when penning their screenplay. &#160; MY FAVORITE FORMATTING FLUB QUESTION      What is the most common formatting error that you see? ANSWER      Oh, that’s easy—scene headings, sometimes called slug lines. As a script consultant, I [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Acting Challenges</title>
		<link>http://www.scriptmag.com/features/acting-challenges</link>
		<comments>http://www.scriptmag.com/features/acting-challenges#comments</comments>
		<pubDate>Fri, 23 Dec 2011 22:02:58 +0000</pubDate>
		<dc:creator>Ray Morton</dc:creator>
				<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[executive]]></category>
		<category><![CDATA[network]]></category>
		<category><![CDATA[pitch]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23961</guid>
		<description><![CDATA[A good screenplay is a wonderful thing, but no matter how impressive a script may be, its potential will remain forever unfulfilled unless it is actually made into a movie. There are a lot of factors that influence whether or not a screenplay gets produced, but in today’s film industry, the most crucial of these [...]]]></description>
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		<slash:comments>9</slash:comments>
		</item>
		<item>
		<title>Is Hollywood Allergic to Your Genre?</title>
		<link>http://www.scriptmag.com/features/is-hollywood-allergic-to-your-genre</link>
		<comments>http://www.scriptmag.com/features/is-hollywood-allergic-to-your-genre#comments</comments>
		<pubDate>Fri, 23 Dec 2011 20:53:10 +0000</pubDate>
		<dc:creator>Staton Rabin</dc:creator>
				<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23938</guid>
		<description><![CDATA[Some writers have all the luck. They have a gift for writing high-concept comedies, thrillers, horror, or action movies, or other kinds of scripts in “commercial” genres. Their scripts make most agents and producers swoon like tweens at a Justin Bieber concert. And then there’s the rest of us. We love to write intimate dramas, [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Landing Your First Assignment</title>
		<link>http://www.scriptmag.com/features/landing-your-first-assigment</link>
		<comments>http://www.scriptmag.com/features/landing-your-first-assigment#comments</comments>
		<pubDate>Fri, 23 Dec 2011 17:51:15 +0000</pubDate>
		<dc:creator>John Buchanan</dc:creator>
				<category><![CDATA[Screenwriter Interviews]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[agent]]></category>
		<category><![CDATA[executive]]></category>
		<category><![CDATA[industry news]]></category>
		<category><![CDATA[los angeles]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[Screenwriting]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[writer]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=23926</guid>
		<description><![CDATA[There’s more opportunity out there for new scribes than just the fabled spec sale. In fact, writing assignments represent a more reliable path to a genuine livelihood. When most aspiring screenwriters imagine their successful against-all-odds assault on Hollywood, they think in terms of a big spec sale that changes their lives overnight. But there is [...]]]></description>
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		<slash:comments>8</slash:comments>
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