<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Script Magazine</title>
	<atom:link href="http://www.scriptmag.com/feed" rel="self" type="application/rss+xml" />
	<link>http://www.scriptmag.com</link>
	<description>An F+W Media, Inc. Publication</description>
	<lastBuildDate>Wed, 16 May 2012 01:26:22 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
<xhtml:meta xmlns:xhtml="http://www.w3.org/1999/xhtml" name="robots" content="noindex" />
		<item>
		<title>Meet the Reader: A Few Brief Thoughts on the Death of Movies</title>
		<link>http://www.scriptmag.com/features/meet-the-reader-a-few-brief-thoughts-on-the-death-of-movies</link>
		<comments>http://www.scriptmag.com/features/meet-the-reader-a-few-brief-thoughts-on-the-death-of-movies#comments</comments>
		<pubDate>Wed, 16 May 2012 01:25:09 +0000</pubDate>
		<dc:creator>Ray Morton</dc:creator>
				<category><![CDATA[Screenwriter Columns]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[change in the movie industry]]></category>
		<category><![CDATA[decline of movies]]></category>
		<category><![CDATA[evolution of filmmaking]]></category>
		<category><![CDATA[Meet the Reader]]></category>
		<category><![CDATA[Ray Morton]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=37971</guid>
		<description><![CDATA[There’s been a lot written lately on the decline of the movies as a relevant and vital entertainment medium and &#8211;like it or not &#8212; it looks like we are living in the last days of cinema as we have traditionally known it. There are three primary reasons for this: The technology is dying: the [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/meet-the-reader-a-few-brief-thoughts-on-the-death-of-movies/feed</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>The Scoggins Report: May 2012 Pitch Sales Scorecard</title>
		<link>http://www.scriptmag.com/news/the-scoggins-report-may-2012-pitch-sales-scorecard</link>
		<comments>http://www.scriptmag.com/news/the-scoggins-report-may-2012-pitch-sales-scorecard#comments</comments>
		<pubDate>Tue, 15 May 2012 12:25:47 +0000</pubDate>
		<dc:creator>Jeanne Veillette Bowerman</dc:creator>
				<category><![CDATA[Film Industry News]]></category>
		<category><![CDATA[Showcase]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=37881</guid>
		<description><![CDATA[The Scoggins Report is a compilation of sales and trends in the industry. The Report is reprinted at ScriptMag.com by permission of the authors. The Scoggins Report by Jason Scoggins &#38; Cindy Kaplan May 14, 201 May 2012 Pitch Sales Scorecard This week’s edition of the Scoggins Report was a blast to pull together, thanks [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/news/the-scoggins-report-may-2012-pitch-sales-scorecard/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Behind the Lines with DR: Writer as Sacrificial Lamb aka Doug a la Carte</title>
		<link>http://www.scriptmag.com/features/writer-as-sacrificial-lamb-aka-doug-a-la-carte</link>
		<comments>http://www.scriptmag.com/features/writer-as-sacrificial-lamb-aka-doug-a-la-carte#comments</comments>
		<pubDate>Mon, 14 May 2012 15:28:21 +0000</pubDate>
		<dc:creator>Doug Richardson</dc:creator>
				<category><![CDATA[Screenwriter Interviews]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[action film]]></category>
		<category><![CDATA[action movie]]></category>
		<category><![CDATA[callie khouri]]></category>
		<category><![CDATA[chris gerolmo]]></category>
		<category><![CDATA[copycat crime]]></category>
		<category><![CDATA[Dead Poets Society]]></category>
		<category><![CDATA[ed markey]]></category>
		<category><![CDATA[gary ross]]></category>
		<category><![CDATA[Get Shorty]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[mississippi burning]]></category>
		<category><![CDATA[money train]]></category>
		<category><![CDATA[nra]]></category>
		<category><![CDATA[nra lobbyist]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[paul attanasio]]></category>
		<category><![CDATA[pleasantville]]></category>
		<category><![CDATA[published author]]></category>
		<category><![CDATA[Quiz Show]]></category>
		<category><![CDATA[Scott Frank]]></category>
		<category><![CDATA[Screenplay]]></category>
		<category><![CDATA[screenwriter]]></category>
		<category><![CDATA[script]]></category>
		<category><![CDATA[Seabiscuit]]></category>
		<category><![CDATA[the Academy]]></category>
		<category><![CDATA[the hunger games]]></category>
		<category><![CDATA[thelma and louise]]></category>
		<category><![CDATA[tom schulman]]></category>
		<category><![CDATA[true believers]]></category>
		<category><![CDATA[universal studios]]></category>
		<category><![CDATA[Violence]]></category>
		<category><![CDATA[violence in movies]]></category>
		<category><![CDATA[writer]]></category>
		<category><![CDATA[y/a novel]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=37801</guid>
		<description><![CDATA[Gary Ross, writer-director of films such as Seabiscuit and Pleasantville, invited me to join in a round-table luncheon with Massachusetts Rep. Ed Markey. The congressman had shown interest in meeting with movie-making word-merchants to discuss a subject plaguing that particular news quarter: Violence in Movies. The tragic events of Columbine were still in the rearview [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/writer-as-sacrificial-lamb-aka-doug-a-la-carte/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beyond the Page: Funny Changes Everything</title>
		<link>http://www.scriptmag.com/features/writer-profiles/beyond-the-page-funny-changes-everything</link>
		<comments>http://www.scriptmag.com/features/writer-profiles/beyond-the-page-funny-changes-everything#comments</comments>
		<pubDate>Mon, 14 May 2012 14:09:12 +0000</pubDate>
		<dc:creator>Script Magazine</dc:creator>
				<category><![CDATA[Showcase]]></category>
		<category><![CDATA[Writer Profiles]]></category>
		<category><![CDATA[Blazing Saddles]]></category>
		<category><![CDATA[J.D. Shapiro]]></category>
		<category><![CDATA[men in tights]]></category>
		<category><![CDATA[Peter Hanson]]></category>
		<category><![CDATA[Robin Hood: Prince of Thieves]]></category>
		<category><![CDATA[standup comedy tips]]></category>
		<category><![CDATA[we married margo]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=37681</guid>
		<description><![CDATA[If you ask a comedian what it’s like to perform onstage, don’t expect a lighthearted response. “Doing standup is like walking on a tightrope over a tank filled with sharks while the audience is hacking at the tightrope with machetes,” notes J.D. Shapiro, a regular at venues including world-famous L.A. club the Comedy Store. Yet [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/writer-profiles/beyond-the-page-funny-changes-everything/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ask the Expert: Can an Out-of-the-Box Indie Succeed?</title>
		<link>http://www.scriptmag.com/features/ask-the-expert-can-an-out-of-the-box-indie-succeed</link>
		<comments>http://www.scriptmag.com/features/ask-the-expert-can-an-out-of-the-box-indie-succeed#comments</comments>
		<pubDate>Fri, 11 May 2012 02:52:15 +0000</pubDate>
		<dc:creator>Script Magazine</dc:creator>
				<category><![CDATA[Ask Script Q&A]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Showcase]]></category>
		<category><![CDATA[ATM]]></category>
		<category><![CDATA[Chris Sparling]]></category>
		<category><![CDATA[indie films]]></category>
		<category><![CDATA[out of the box films]]></category>
		<category><![CDATA[screenwriter of Buried]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=37361</guid>
		<description><![CDATA[This week&#8217;s Ask the Expert is answered by screenwriter of Buried and ATM, Chris Sparling. Before I say a word, let me simply ask why the default settings for Microsoft Word are eleven point Calibri font?  Has anyone ever – and I mean ever – written something in those settings?  This might seem like a [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/ask-the-expert-can-an-out-of-the-box-indie-succeed/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Balls of Steel: Give to Receive</title>
		<link>http://www.scriptmag.com/features/balls-of-steel-give-to-receive</link>
		<comments>http://www.scriptmag.com/features/balls-of-steel-give-to-receive#comments</comments>
		<pubDate>Thu, 10 May 2012 15:05:48 +0000</pubDate>
		<dc:creator>Jeanne Veillette Bowerman</dc:creator>
				<category><![CDATA[Screenwriter Columns]]></category>
		<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Bob DeRosa]]></category>
		<category><![CDATA[doug richardson]]></category>
		<category><![CDATA[film industry executives]]></category>
		<category><![CDATA[pay it forward]]></category>
		<category><![CDATA[paying it forward]]></category>
		<category><![CDATA[screenwriting community]]></category>
		<category><![CDATA[screenwriting mentors]]></category>
		<category><![CDATA[twitter pimp angel]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=37171</guid>
		<description><![CDATA[I&#8217;ve mentioned the power of paying it forward before, but I&#8217;d like to discuss what makes someone want to help a person. What do they get out of it? How do they decide who to help and who to walk away from? In this cutthroat industry, it’s imperative to learn how to attract those who [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/balls-of-steel-give-to-receive/feed</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>How The Writers Store Changed My Life</title>
		<link>http://www.scriptmag.com/reviews/tool-reviews/how-the-writers-store-changed-my-life</link>
		<comments>http://www.scriptmag.com/reviews/tool-reviews/how-the-writers-store-changed-my-life#comments</comments>
		<pubDate>Wed, 09 May 2012 20:20:44 +0000</pubDate>
		<dc:creator>Dave Trottier</dc:creator>
				<category><![CDATA[Screenwriter Columns]]></category>
		<category><![CDATA[Scriptwriting Tools]]></category>
		<category><![CDATA[Dave Trottier]]></category>
		<category><![CDATA[format a script]]></category>
		<category><![CDATA[hwo to format a screenplay]]></category>
		<category><![CDATA[movie magic screenwriter]]></category>
		<category><![CDATA[screenwriting format]]></category>
		<category><![CDATA[The Writers Store]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=37041</guid>
		<description><![CDATA[I never set out to become Dr. Format. Oh, no. In the mid to late 80s, I was a marketing executive and doing good work. One day, my Muse Betty whispered to me, “Teach. Write.” I whispered back, “Let me think about it.” So I thought about how much I enjoyed teaching marketing to employees [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/reviews/tool-reviews/how-the-writers-store-changed-my-life/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Adapting for the Screen: Heaven and Hell</title>
		<link>http://www.scriptmag.com/features/adapting-for-the-screen-heaven-and-hell</link>
		<comments>http://www.scriptmag.com/features/adapting-for-the-screen-heaven-and-hell#comments</comments>
		<pubDate>Wed, 09 May 2012 03:11:15 +0000</pubDate>
		<dc:creator>Script Magazine</dc:creator>
				<category><![CDATA[Screenwriting Articles]]></category>
		<category><![CDATA[Screenwriting Craft]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[adapting a book to a movie script]]></category>
		<category><![CDATA[how to write a script]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=35421</guid>
		<description><![CDATA[Adapting a novel to a screenplay can be heaven or hell, and it’s usually a little of each. Why is adapting a joy?  For most screenwriters, the problems of adapting a book are outweighed by the joys of working with very rich source material. Novelists put in so much work to create vivid characters, interesting [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/features/adapting-for-the-screen-heaven-and-hell/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Scoggins Report: April 2012 Spec Market Roundup</title>
		<link>http://www.scriptmag.com/news/scoggins-report-april-2012-spec-market-roundup</link>
		<comments>http://www.scriptmag.com/news/scoggins-report-april-2012-spec-market-roundup#comments</comments>
		<pubDate>Tue, 08 May 2012 00:38:47 +0000</pubDate>
		<dc:creator>Script Magazine</dc:creator>
				<category><![CDATA[Film Industry News]]></category>

		<guid isPermaLink="false">http://www.scriptmag.com/?p=36921</guid>
		<description><![CDATA[The Scoggins Report is a compilation of sales and trends in the industry. The Report is reprinted at ScriptMag.com by permission of the authors. The Scoggins Report by Jason Scoggins &#38; Cindy Kaplan May 7, 2012   April 2012 Spec Market Roundup Year-over-year spec sale totals are down slightly (36 so far in 2012, compared [...]]]></description>
		<wfw:commentRss>http://www.scriptmag.com/news/scoggins-report-april-2012-spec-market-roundup/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

