Tracy Oliver sits down to chat about her new film Girls Trip, her desire to see black women's stories told and the path to seeing this film realized, and her writing process.
Michael Brandt discusses his move to directing, what he learned about writing from his new perspective, and what screenwriters should consider about becoming a hyphenate themselves.
Nothing should be placed in the script unless it has some kind of meaning, somehow furthering the characters or the story. David Landau explains how to use a set-up and payoff to elevate your audience's experience.
Paula Landry explains how all screenwriting is marketing, simply for the reason that nobody writes a screenplay to languish on a hard drive.
Rich Whiteside explains how goal setting can help your screenwriting.
Get rewriting tips on how to get past the first draft vomit and turn your screenplay into a fast-paced read audiences will love.
How Not to Fire Your Rep. It’s never an easy decision, firing your representation,but sometimes it’s a necessary evil. Click Here to read more.
Breaking up is hard to do - how to use romantic conflict for greater drama in comedies or tragedies. Pamela Jaye Smith and Monty Hayes McMillan gives tips on bringing romantic tragedy to the screen.
Characters are engines that drive ideas into a story. Each of the major character types plays a specific role in that process. Michael Tabb highlights THE MENTOR.
Characters are engines that drive ideas into story. Each of the five major character types plays a specific role in that process. First is THE PROTAGONIST.