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Please note: 1995 and early 1996 issues of scr(i)pt,
issues of Screenwrite NOW! and Freelance Screenwriters Forum
are no longer available for sale. We apologize for any inconvenience.
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complete table of contents |
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Mars Attacks! screenwriter
Jonathan Gems tells of writing the latest Tim Burton film. |
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Scott Alexander and Larry Karazewski, inside the screenwriting
craft with the Golden Globe-winning screenwriters of The
People vs. Larry Flynt. |
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Scott Rosenberg; an insider look at screenwriting with
the writer of Con Air and Beautiful Girls. |
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Larry Cohen, Whit Stillman and Wesley Strick - a roundtable
discussion. |
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Ed Solomon - Man in Black and White. |
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Brian Helgeland - Confidential. An interview with the
L.A. Confidential and Conspiracy Theory
scribe. |
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John Lee Hancock discusses book adaptation, working with
Clint Eastwood and Midnight in the Garden of Good
and Evil. |
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Robert Duvall talks about writing, directing, and starring
in The Apostle. |
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Randall Wallace discusses Wallace Literary, his utopian
writing atmosphere, and writing and directing The
Man in the Iron Mask. |
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Richard LaGravenese: The Horse Whisperer;
Writing for the DVD Market; Comedy Writers Roundtable;
The 1998 Sundance Screenwriter's Lab; Writing Good Dialogue;
The Writer/Agent Relationship; Tom Fontana of Oz
and Homicide: Life on the Streets. |
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No issue published. |
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What is Hollywood Thinking?; Brian DePalma and Snake
Eyes; The controversial story behind Academy-Award
winning Witness; The 1998
American Film Market; Behind the Scenes of NBC's Pretender;
Ron Shelton; Larry Gelbart. |
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Bob Shaw and Don McEnery on A Bug's
Life, John Water's Pecker,
Honoring Preston Sturges, Pixar's Andrew Stanton, Inside
the William Morris Agency, Guide to Spec TV Submissions |
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Annual contest guide, Business of Screenwriting Issue,
Software Review, Managing Your Agent or Manager, The Business
of Rewrites. |
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Glen and Les Charles on Pushing
Tin, Writing for Television, Interview with Saving
Private Ryan's Robert Rodat, Freelancing for TV,
Structure Wars: Part One. |
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The Columbia Deal: Screenwriters Gain Prestige in Hollywood,
Writing for Television Part 2, Structure Wars: Part Two,
Constructing a Scene, Hollywood on the Internet. |
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For Art or Money? Writing Summer Blockbusters, Structure
Wars: Part Three, Polly Platt: The Muse, Wild,
Wild, West from Script to Screen. |
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Marta Kauffman and David Crane talk to Script about writing
for television, Writing for Daytime Television: An Interview
with General Hospital's Michelle
Val Jean, For the Love of the Game
From Script to Screen. |
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Documentaries: The Road to Hollywood?, Crafting Characters,
The Green Mile From Script
to Screen, How to Write a Non-Studio Spec Script. |
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James Mangold: Director Uninterrupted, Bender/Spink: The
New Moguls, The Art of the Query Letter, The T.V. Spec
Script: The Key to Selling Yourself. |
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Five Scripts that Deserve the Oscars, Selling Your Script
to Production Companies, A History of the Oscars, Alan
Ball's American Beauty: From
Script to Screen. |
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Women in the Film Industry, Joel Schumacher: The Journey
Up, Creating Unforgettable Characters, Hollywood Rebels:
Bucking the System. |
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Keeping up the pace with Andrew Marlowe: Gladiator.
Blockbuster Spec Sales. The Anti-Blockbuster: Succeeding
without a big budget. |
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Aaron Sorkin of The West Wing. Felicity
staff writers Reeves and Abrams. Writing the movie of
the week. Who wants to write for a Game Show? |
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How The Grinch Stole the
Screen. Cast Away: Interview
with Bill Broyles, Jr. Pitching Your Script: Selling What
you Write. Script review for Unbreakable. |
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Interview with Steven Zaillian: Hannibal.
Remember the Titans: Gregory
Allen Howard. Invisible Circus:
Adam Brooks. Antitrust: Howard
Franklin. |
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Oscar Fever! Traffic: Steven
Gaghan. On the Set of Quills:
Doug Wright. You Can Count on Me:
Oscar Dialogue. Dancing in September: Reggie
Rock Bythewood. |
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Making Fun of Your Family
for Fame and Profit: Christopher Titus. Writing for all
Audiences: Shrek. Remaking History: Pearl Harbor.
Charles Pogue Speaks Out: Writer's Rights. |
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Reimagining the Science Fiction Classic: Planet
of the Apes. The Man Who Cried. America's Sweethearts:
Peter Tolan. |
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Woody Allen: The
Curse of the Jade Scorpion. How Will Reality Programming
Affect a Writer's Future? Script to Screen: Rock Star.
The Adaptation From Hell. |
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Hobbit-Forming: The Lord of the Rings. Spec Sale
Spotlight: Kyle Long. What's a Script Worth? Script to
Screen: Monsters, Inc. Writing
Great, Unique Dialogue. Friendship vs. Duty: The Making
of Windtalkers |
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Fact Into Fiction: Writing The Majestic.
Who You Know: Pat Quinn. Meet Hollywood's Youngest Feature
Screenwriter. No Man's Land: Stuck in the Middle. The
Altman Experience. Meet the Reader: Farewell to a Friend. |
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Breaking the Ice: Meet Michael Berg, screenwriter of Ice
Age. Independents: Audience Participation. I
Am Sam. "Writing History With Lighting."
How To Find An Agent. |
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SOLD OUT
Spider-Man.
Minority Report: An Interview With Jon Cohen
and Scott Frank. Insomnia.
Writing Sketch Comedy. The Hill With It: Hollywood Studio
Urban Myths. That's Enough Thank
You. |
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Signs, K:19: The WidowMaker,
Creating Compelling Antagonists, What to Write; Know the
Market, Billy Wilder: A Writer Remembered, Men
in Black II, Writing Thrillers, The
Dangerous Lives of Altar Boys |
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CSI, Scrubs--
Writing Comedy With Heart, Tuck
Everlasting, Writing the Third Act, Formula
51, Michael Chernuchin of Law
and Order, Red Dragon, Spec Script Checklist, Spirited
Away |
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SOLD OUT
Chicago,
Analyze That, The Pianist -- The Central Dramatic
Question, The Launching of Enterprise, Character Description,
Larry Cohen of Phone Booth, The
Two Towers, Neal Purvis and Robert Wade discuss
the "Bond formula" |
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25th Hour, Igby Goes
Down, The Hours, Max -- Writing for the Audience,
Power Revisions, Brian Helgeland of Sin
Eater, Reggie Rock Bythewood of Biker
Boyz, Screenwriting Partnerships, To
End All Wars |
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Gods and Generals,
Dreamcatcher, Alias -- Writing Comedy, Tuck
Everlasting, Collin Chang, Writing for an Oscar,
Joe Carnahan of Narc, Ed
Solomon of Levity, The Quiet American,
Debut writing, Entertainment Attorney Dinah Perez, Summer
Screenwriting events |
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X2: X-Men United, Hollywood
Homicide, Confidence, The Guys, Fox's
24, Owning Mahowny, Opposites React, The Feature
Writer as a Documentarian, Writing the First Act, Non
Sequiturs, The 2003 Sundance Film Festival, Marketing
Small Production Companies, Trigger Street, Creg Sabin. |
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Seabiscuit, Better Luck Tomorrow,
Uptown Girls, thirteen, Malcolm in the Middle,
Writing Romantic Comedy, Fighting Flashbacks,
Whale Rider, James Ivory of Le
Divorce, Cold Calling, Deciphering the Spec Market |
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Once Upon A Time In
Mexico, Sofia Coppola on Lost
in Translation, Pieces of April, Sylvia, Fear Factor
in Alien, First-Person Narrative,
State of the Industry, Pitch Secrets, Breaking into TV,
Deciphering the Spec Market Part 2, Horror Writing |
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The Last Samurai, Master and Commander:
The Far Side of the World, Mystic River, In America,
Radio, Unforgettable Protaganists, Horror Writing
Part 2, Master's Programs in Screenwriting, Frank Hannah
of The Cooler, Jonathan
Littman, Exposition in Dialogue
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Big Fish, The
Great Idea: Miracle, Mona
Lisa Smile, Nip/Tuck, Guillermo
Arriaga of 21 Grams,
Set Up Your Story, Memorable Minor Characters, Screenwriting
Software, Dialogue and Subtext,
Conventional Cliches Part 2, Megahits of 2003 |
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The Alamo, Charlie
Kaufman on Eternal Sunshine of
the Spotless Mind, Matthew Ryan Hoge of The
United States of Leland, Godsend, House of Sand and
Fog, Adaptation Skills,
Writing Roles for Stars, Screenwriting Software Part
2
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| Merlin's Musings, Sales Force, Independents, Script to
Screen, Contests and Contest Results. |
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use our secured server, call or fax us with your name, address,
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of the issues you would like to purchase, or send check or
money order to: scr(i)pt Magazine, 5638 Sweet Air
Rd., Baldwin, MD 21013-9009
Phone: (888) 881-5861 Fax: (410) 592-8062
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