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Where to Buy Script magazineScript magazine can be found in fine retail stores:Barnes & Noble, Borders, Virgin, Tower and Hastings and many fine independent bookstores. Back Issue Blowout! Get six back issues of Script for only $30 plus $3.50 S+H. While supplies last. Please list alternatives. Each issue is $8.00, or $7.25 when you buy three or more. To order your back issues and articles, use our secured server, call or fax us with your name, address, telephone number, and credit card number, along with a list of the issues you would like to purchase, or send check or money order to: Script magazine 5638 Sweet Air Rd., Please note: 1995 and early 1996 issues of Script, issues of Screenwrite NOW! and Freelance Screenwriters Forum are no longer available for sale. We apologize for any inconvenience. Script Magazine 2008
July/August 2008
Vol. 14 No. 4 High Art: Pineapple Express by Aaron Ginsburg Script to Screen: Towelhead by David S. Cohen Anatomy of a Scene: Swing Vote by Bob Verini Writers on Writing: Frozen River by Courtney Hunt 
May/June 2008
Vol. 14 No. 3 SOLD OUT Anatomy of a Scene: War, Inc. by Bob Verini The Writing Teams of Iron Man by Aaron Ginsburg Script to Screen: Son of Rambow by David S. Coheng Sunscreening: Summer Blockbusters by Bob Verini Program Review: University of Texas at Austin by Liz Rall
March/April 2008
Vol. 14 No. 2 SOLD OUT Writers on Writing: The Grand by Zak Penn The Small Screen: Late-Night Television by Debra L. Eckerling Script to Screen: The Kingdom by David S. Cohen Writers on Writing: King of California by Mike Cahill
January/February 2008
Vol. 14 No. 1Script to Screen: The Kingdom by David S. Cohen Writers on Writing: King of California by Mike Cahill Everything Old (West) is New Again: 3:10 to Yuma by Bob Verini
Script Magazine 2007
November/December 2007
Vol. 13 No. 6Script to Screen: Into the Wild by David S. Cohen His Fantasy Materials: Chris Weitz on The Golden Compassby David S. Cohen Train of Thought: The Darjeeling Limitedby Aaron Ginsburg
September/October 2007
Vol. 13 No. 5SOLD OUT Script to Screen: The Kingdom by David S. Cohen Writers on Writing: King of California by Mike Cahill Everything Old (West) is New Again: 3:10 to Yuma by Bob Verini
July/August 2007
Vol. 13 No. 4The Simpsons Movie by John Scott Lewinski Script to Screen: Superbad by David S. Cohen Miss Beehive-ing: Leslie Dixon styles Hairspray for the Big Screen by Bob Verini
May/June 2007
Vol. 13 No. 3SOLD OUT New Media: Compu-Script by John Scott Lewinski Why I Write: Bruce Evans & Raynold Gideon by Zack Gutin 10 Questions: Ted Elliott & Terry Rossio by Maureen Green & Steve Head
March/April 2007
Vol. 13 No. 2 The Small Screen: House M.D. by Debra Eckerling Tribeca All Access by Sheila Kogan Breaking In by David Boxerbaum
January/February 2007
Vol. 13 No. 1 Bobby By Bob Verini Script to Screen: Notes on a Scandal By David S. Cohen; Writers on Writing: Pan’s Labyrinth Guillermo del Toro
Script Magazine 2006
November/December 2006
Vol. 12 No. 6 Talk to Them: Pedro Almodóvar, Screenwriter By Bob Verini; From Script to Screen: Babel By David S. Cohen; Wine’s World: Anatomy of a Scene From A Good Year By Bob Verini
September/October 2006
Vol. 12 No. 5 Flags of Our Fathers; Who You Know: Michael J. Nelson, Mystery Science Theater 3000; Spec Sale Spotlight: Kelley Sane, Rendition; Why I Write: Bobby Moresco; From Script to Screen: The Black Dahlia; We Are ... Marshall; Independents: Synchronized Screenwriting; Writers On Writing: Formulaic Works; Grey’s Anatomy: All The Right Parts; Writing Running With Scissors by Ryan Murphy; A Guide to Recognizing Your Saints by Dito Montiel
July/August 2006
Vol. 12 No. 4 Dead Man’s Writers: Terry Rossio; Who You Know: BBC America’s Jeremy Whitham; Spec Sale Spotlight: Jason Lethcoe, Tales From the Wishworks Factory; The Great Idea?: South of Nowhere; WGA’s List of 101 Greatest Screenplays and Why You Should Read Them; From Script to Screen: The Science of Sleep; The Scriptwriters Showcase: A-List Advice From A-List Talent; ‘Til Death Do Us Part: Screenwriting Partnerships; Independents: Incredible Character Moments; Concept and Story; Anatomy of a Scene: World Trade Center; The Fulcrum; Why I Write: Lizzy Weiss; Writing Down in The Valley by David Jacobson; Getting Inside: One Writer’s Journey From Spec to Success By Russell Gewirtz
May/June 2006
Vol. 12 No. 3 Returning The Man of Steel to The Silver Screen by screenwriters Michael Dougherty and Dan Harris; Speak Up! A Practical Guide to Developing Character Through Dialogue; Where Have All The Good Scripts Gone?; Anatomy of a Scene: Over The Hedge; Why I Write: Bruce Feirstein; Who You Know: Guy Mullally; Spec Sale Spotlight: Christopher Landon, Disturbia; Platforming Your Way to Success; Screen Gems’ President Clint Culpepper Defines Genre; When Hollywood Calls
March/April 2006
Vol. 12 No. 2 Roger Avary Takes Us To Silent Hill, Who You Know: Albert Page, Great ExSPECtations, The Great Idea™: The Celestine Prophecy, Six Nicholls Try To Make A Dollar, From Script to Screen: Thank You For Smoking, Get Off Your Butt and Off The Script Stack, Independents: Story Form, The Hill With It: The Spec Script Buyer's Prayer, Growing a Great Script: Plant It Now, Reap It Later, Why I Write: Antwone Fisher, Meet the Reader: A Decade In Review, The Writing of Dirty, Call of Duty 2: Big Red One ... Enlisted, Reinventing When A Stranger Calls
 January/February 2006 Vol.
12 No. 1 Win, Place and Showbiz: Awards Season, High-Concept Brainstorming Techniques,The Great Idea™: TV Variety Award Show Special, From Script to Screen: Good Night and Good Luck, My Reinvention: Jim Troesh, Independents: Dramatic and Cinematic, The Hill With It: What's Your Wildest Secret Fantasy?, The Return of Kong, On Villains, Why I Write: Harold Ramis, Meet the Reader: How I Learned to Write, The Writing of Crash, The Three Burials of Melquiades Estrada
Script Magazine 2005
November/December 2005
Vol. 11 No. 6The Lion, The Witch and The Wardrobe, The Squid and The Whale, Independents: The Mystery of Chinatown, Why I Write: Doug Ellin, A Matter of Pride & Prejudice, The Hill With It: Great Lines of Dialogue—and What is Greatness?, Who You Know: Matt and Mike Chapman, The Great Idea™: Jarhead, From Script to Screen: Kiss Kiss, Bang Bang, Missing: Compelling Characters, Writing a Saleable Screenplay
September/October 2005
Vol. 11 No. 5Creating Tim Burton’s Corpse Bride, Writing Domino Harvey: Based Upon a True Story ... Sort of, The Constant Gardener, Independents: Plotting Murder, Based on a True Story? The Screenwriter’s Guide to Dramatic License, The Hill With It: The “Rescuing Male”, Write The Logline First, Meet The Reader: Attack of The Killer Gimmicks, Family Film Market, Ten Ways to Tweak a Scene: Part Two, From Script to Screen: Oliver Twist
July/August 2005
Vol. 11 No. 4The Wedding Crashers, Hustle & Flow, Pretty Persuasion, Red Eye, Charlie and the Chocolate Factory, The Devil's Rejects, Industry Access, Getting a Literary Manager, Family Film Market, Understanding Voice and Theme, A Simple Plan... A Brilliant Plan
May/June 2005
Vol. 11 No. 3Batman Begins, Mr. and Mrs. Smith, Layer Cake, Madagascar, The Hitchhiker's Guide to the Galaxy, Reasons to Hire an Entertainment Attorney, Logline, Character Development, James L. White on Ray, Commercial Considerations, Script's Heartbeat, Screenwriter as Multiple Personality, Memorable Comic Sequence
March/April 2005
Vol. 11 No. 2 The Jacket, In My Country, Be Cool, 10 Ways to Create Great Scenes, Understanding Character Arc, Reality of a Writer, TV Development at a Major Studio, Selling Dialogue, Logline, Treatment, Synopsis, Outline
January/February 2005
Vol. 11 No. 1The Life Aquatic, How Did They Do It?, The Woodsman, Imaginary Heroes, Spec Market, Character Wars, Protagonists, Father of the Pride, Speed Pitching in a Loud Environment, Mini-Major Studio, Sex Scenes, Low-Concept Screenplay, rewriting Hero Last
November/December 2004
Vol. 10 No. 6The Aviator, Hotel Rwanda, The Assassination of Richard Nixon, Dramatic Script Description, Writing the Ensemble Cast, Marvel Super Heroes Guide to New York City, Studio Pitch Meeting, Software Part 2
September/October 2004
Vol. 10 No. 5Vanity Fair, Saw, Shark Tale, John Waters, Screenwriter as a Victim, Comedy Writing for the Hip-Hop Generation, Protagonist, Mixed Genres, Inside Paramount Pictures, American Film Market
July/August 2004
Vol. 10 No. 4The Terminal, The Manchurian Candidate, Maria Full of Grace, Sleepover, King Arthur, Hero, Creating Great Villians, Conquering Writer's Block, Does Hollywood Still Want Happy Endings?, Spec Script, Sitcoms, Romantic Comedy
May/June2004
Vol. 10 No. 3Troy, The Clearing, The Last Voyage of the Demeter, The Notebook, Carnivale, Underground Management: Trevor Engelson's Advice to Up-and-Coming Writers, Using Voiceover narration, Women Writers to Watch, Turn Your Great Idea Into a Great Script
March/April 2004
Vol. 10 No. 2 The Alamo, Charlie Kaufman on Eternal Sunshine of the Spotless Mind, Matthew Ryan Hoge of The United States of Leland, Godsend, House of Sand and Fog, Adaptation Skills, Writing Roles for Stars, Screenwriting Software Part 2
January/February 2004
Vol. 10 No. 1 Big Fish, The Great Idea: Miracle, Mona Lisa Smile, Nip/Tuck, Guillermo Arriaga of 21 Grams, Set Up Your Story, Memorable Minor Characters, Screenwriting Software, Dialogue and Subtext, Conventional Cliches Part 2, Megahits of 2003
Script Magazine 2003
November/December 2003
Vol. 9 No. 6 The Last Samurai, Master and Commander: The Far Side of the World, Mystic River, In America, Radio, Unforgettable Protaganists, Horror Writing Part 2, Master's Programs in Screenwriting, Frank Hannah of The Cooler, Jonathan Littman, Exposition in Dialogue
September/October 2003
Vol. 9 No. 5 Once Upon A Time In Mexico, Sofia Coppola on Lost in Translation, Pieces of April, Sylvia, Fear Factor in Alien, First-Person Narrative, State of the Industry, Pitch Secrets, Breaking into TV, Deciphering the Spec Market Part 2, Horror Writing
July/August 2003 Vol. 9 No. 4
May/June 2003
Vol. 9 No. 3 X2: X-Men United, Hollywood Homicide, Confidence, The Guys, Fox's 24, Owning Mahowny, Opposites React, The Feature Writer as a Documentarian, Writing the First Act, Non Sequiturs, The 2003 Sundance Film Festival, Marketing Small Production Companies, Trigger Street, Creg Sabin.
March/April 2003
Vol. 9 No. 2 Gods and Generals, Dreamcatcher, Alias -- Writing Comedy, Tuck Everlasting, Collin Chang, Writing for an Oscar, Joe Carnahan of Narc, Ed Solomon of Levity, The Quiet American, Debut writing, Entertainment Attorney Dinah Perez, Summer Screenwriting events
January/February 2003
Vol. 9 No. 1 25th Hour, Igby Goes Down, The Hours, Max -- Writing for the Audience, Power Revisions, Brian Helgeland of Sin Eater, Reggie Rock Bythewood of Biker Boyz, Screenwriting Partnerships, To End All Wars
Script Magazine 2002
November/December 2002 Vol. 8 No. 6
SOLD OUT Chicago, Analyze That, The Pianist -- The Central Dramatic Question, The Launching of Enterprise, Character Description, Larry Cohen of Phone Booth, The Lord of the Rings: The Two Towers, Neal Purvis and Robert Wade discuss the "Bond formula"
September/October 2002
Vol. 8 No. 5 CSI, Scrubs-- Writing Comedy With Heart, Tuck Everlasting, Writing the Third Act, Formula 51, Michael Chernuchin of Law and Order, , Spec Script Checklist, Spirited Away
July/August 2002 Vol. 8 No. 4 SOLD OUT Signs, K:19: The WidowMaker, Creating Compelling Antagonists, What to Write; Know the Market, Billy Wilder: A Writer Remembered, Men in Black II, Writing Thrillers, The Dangerous Lives of Altar Boys
May/June 2002 Vol. 8 No. 3
SOLD OUT Spider-Man. Minority Report: An Interview With Jon Cohen and Scott Frank. Insomnia. Writing Sketch Comedy. The Hill With It: Hollywood Studio Urban Myths. That's Enough Thank You.
March/April 2002 Vol. 8 No. 2 Breaking the Ice: Meet Michael Berg, screenwriter of Ice Age. Independents: Audience Participation. I Am Sam. "Writing History With Lighting." How To Find An Agent.
January/February 2002
Vol. 8 No. 1 Fact Into Fiction: Writing The Majestic. Who You Know: Pat Quinn. Meet Hollywood's Youngest Feature Screenwriter. No Man's Land: Stuck in the Middle. The Altman Experience. Meet the Reader: Farewell to a Friend.
Script Magazine 2001
November/December 2001
Vol. 7 No. 6 Hobbit-Forming: The Lord of the Rings. Spec Sale Spotlight: Kyle Long. What's a Script Worth? Script to Screen: Monsters, Inc. Writing Great, Unique Dialogue. Friendship vs. Duty: The Making of Windtalkers.
September/October 2001
Vol. 7 No. 5 Woody Allen: The Curse of the Jade Scorpion. How Will Reality Programming Affect a Writer's Future? Script to Screen: Rock Star.The Adaptation From Hell.
July/August 2001
Vol. 7 No. 4 Reimagining the Science Fiction Classic: Planet of the Apes. The Man Who Cried. America's Sweethearts: Peter Tolan.
May/June 2001
Vol. 7 No. 3 Making Fun of Your Family for Fame and Profit: Christopher Titus. Writing for all Audiences: Shrek. Remaking History: Pearl Harbor. Charles Pogue Speaks Out: Writer's Rights.
March/April 2001
Vol. 7 No. 2Oscar Fever! Traffic: Steven Gaghan. On the Set of Quills: Doug Wright. You Can Count on Me: Oscar Dialogue. Dancing in September: Reggie Rock Bythewood.
January/February 2001
Vol. 7 No. 1 Interview with Steven Zaillian: Hannibal. Remember the Titans: Gregory Allen Howard. The Invisible Circus: Adam Brooks. Antitrust: Howard Franklin.
Script Magazine 2000
November/December 2000
Vol. 6 No. 6 How The Grinch Stole the Screen. Cast Away: Interview with Bill Broyles, Jr. Pitching Your Script: Selling What you Write. Script review for Unbreakable.
September/October 2000
Vol. 6 No. 5 SOLD OUT Aaron Sorkin of The West Wing. Felicity staff writers Reeves and Abrams. Writing the movie of the week. Who wants to write for a Game Show?
July/August 2000
Vol. 6 No. 4 Keeping up the pace with Andrew Marlowe: Gladiator. Blockbuster Spec Sales. The Anti-Blockbuster: Succeeding without a big budget.
May/June 2000
Vol. 6 No. 3 Women in the Film Industry, Joel Schumacher: The Journey Up, Creating Unforgettable Characters, Hollywood Rebels: Bucking the System.
March/April 2000
Vol. 6 No. 2Five Scripts that Deserve the Oscars, Selling Your Script to Production Companies, A History of the Oscars, Alan Ball's American Beauty: From Script to Screen.
January/February 2000
Vol. 6 No. 1 James Mangold: Director Uninterrupted, Bender/Spink: The New Moguls, The Art of the Query Letter, The T.V. Spec Script: The Key to Selling Yourself.
Script Magazine 1999
November/December 1999
Vol. 5 No. 6 Documentaries: The Road to Hollywood?, Crafting Characters, The Green Mile From Script to Screen, How to Write a Non-Studio Spec Script.
September/October 1999
Vol. 5 No. 5 Marta Kauffman and David Crane talk to Script about writing for television, Writing for Daytime Television: An Interview with General Hospital's Michelle Val Jean, For the Love of the Game From Script to Screen.
July/August 1999
Vol. 5 No. 4 For Art or Money? Writing Summer Blockbusters, Structure Wars: Part Three, Polly Platt: The Muse, Wild, Wild, West from Script to Screen.
May/June 1999
Vol. 5 No. 3 The Columbia Deal: Screenwriters Gain Prestige in Hollywood, Writing for Television Part 2, Structure Wars: Part Two, Constructing a Scene, Hollywood on the Internet.
March/April 1999
Vol. 5 No. 2 Glen and Les Charles on Pushing Tin, Writing for Television, Interview with Saving Private Ryan's Robert Rodat, Freelancing for TV, Structure Wars: Part One.
January/February 1999
Vol. 5 No. 1 Annual contest guide, Business of Screenwriting Issue, Software Review, Managing Your Agent or Manager, The Business of Rewrites.
Script Magazine 1998
November/December 1998
Vol. 4 No. 5 Bob Shaw and Don McEnery on A Bug's Life, John Water's Pecker, Honoring Preston Sturges, Pixar's Andrew Stanton, Inside the William Morris Agency, Guide to Spec TV Submissions
September/October 1998
Vol. 4 No. 4 What is Hollywood Thinking?; Brian DePalma and Snake Eyes; The controversial story behind Academy-Award winning Witness; The 1998 American Film Market; Behind the Scenes of NBC's The Pretender; Ron Shelton; Larry Gelbart.
July/August 1998
July/August 1998
No issue published.
May/June 1998
Vol. 4 No. 3 Richard LaGravenese: The Horse Whisperer; Writing for the DVD Market; Comedy Writers Roundtable; The 1998 Sundance Screenwriter's Lab; Writing Good Dialogue; The Writer/Agent Relationship; Tom Fontana of Oz and Homicide: Life on the Street.
March/April 1998
Vol. 4 No. 2 Randall Wallace discusses Wallace Literary, his utopian writing atmosphere, and writing and directing The Man in the Iron Mask.
January/February 1998
Vol. 4 No. 1 Robert Duvall talks about writing, directing, and starring in The Apostle.
Script Magazine 1997
November/December 1997
Vol. 3 No. 6John Lee Hancock discusses book adaptation, working with Clint Eastwood and Midnight in the Garden of Good and Evil.
September/October 1997
Vol. 3 No. 5 Brian Helgeland - Confidential. An interview with the L.A. Confidential and Conspiracy Theory scribe.
May/June 1997 Vol. 3 No. 3Larry Cohen, Whit Stillman and Wesley Strick - a roundtable discussion.
March/April 1997
Vol. 3 No. 2 Scott Rosenberg; an insider look at screenwriting with the writer of Con Air and Beautiful Girls.
January/February 1997
Vol. 3 No. 1 Scott Alexander and Larry Karazewski, inside the screenwriting craft with the Golden Globe-winning screenwriters of The People vs. Larry Flynt.
Script Magazine 1996
November/December 1996
Vol. 2 No. 6 Mars Attacks! screenwriter Jonathan Gems tells of writing the latest Tim Burton film.
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