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January/February 2000 Issue

James Mangold: Director Uninterrupted, Bender/Spink: The New Moguls, The Art of the Query Letter, The T.V. Spec Script: The Key to Selling Yourself.

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FEATURE:

James Mangold: Director, Uninterrupted
by Alia Yunis
Writer/Director James Mangold discusses his amazing journey from film school to the helm of this years hottest Oscar® buzz--Girl, Interrupted

Agent Wanted
by Theresa Welty
Every aspiring screenwriter seems to be searching for the holy grail of Hollywood--the agent. How do you get one, and what do you do once you've found them?

This is the Year I Sell My Script
by Bob Verini
Follow the adventures of neophyte screenwriter Bob L. Bee as he plans how he will sell his script this year!

Bender/Spink - The New Moguls
by John Kim
The white hot hollywood duo of Chris Bender and J.C. Spink reveal their secrets to success.

Script to Screen: South Park
by David S. Cohen
Call them irreverent, call them indecent, but don't forget to call them successful screenwriters! Trey Parker and Matt Stone discuss the evolution of South Park from television sensation into a feature film.

e-Kasa
by Diane Saenger
Revolutionary production company Kingdom Films announces a new way to pitch your script.

Entering Screenwriting Contests
by Greg Beal
Nicholl Fellowships administrator Greg Beal offers his sage advice and observations on the art of entering (and winning) screenwriting contests.

Help for the Contest Junkie
by Jamie David Silverman
With so many screenwriting contests out there, which one do you enter and will it really affect your screenwriting career?

The TV Spec Script: The Key to Selling Yourself
by Genia Shipman
Thinking of making your foray into the TV spec world? Our new tv column will help your start with plenty of hints and tips from a pro.

Independents: Your First Page Makes Lasting Impressions
by William C. Martell
You know the saying, you never get a second chance ... Find out how to make the most of your first page, and the first impression

Writing a Saleable Script
by Ray Morton
Out of the thousands of spec scripts that are written every year, only a precious few sell. What makes the difference between the "good" script and the "sold" script?

The Art of the Query Letter
by Diana Saenger
Before you send a screenplay to a production company, producer, or agent, you need to know that they want to read it. Find out how to craft a query letter that gets your script in the door.

The Last Word: Entering Screenplay Contests
by Sally B. Merlin
Contests can provide the affirmation that screenwriters need to continue to persue their dream.

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