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January/February 1999 Issue

Annual contest guide, Business of Screenwriting Issue, Software Review, Managing Your Agent or Manager, The Business of Rewrites.

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FEATURE:

 

A Conversation with Steven Zaillian
by David S. Cohen
From Schindler's List and Searching For Bobby Fischer to A Civil Action, Steven Zaillian has had a tremendous screenwriting career. Zaillian discusses his passion for writing and creating characters, and how he adapted A Civil Action for the big screen.

Managing Agents and Managers
by John Scott Lewinski
Screenwriters spend years trying to secure representation, but once they are "picked up," do they know how to manage their new partners in the industry?

From Script to Screen: Happiness
by David S. Cohen
Todd Solondz gained industry recognition with his Sundance hit, Welcome to the Dollhouse. His next film, Happiness, premiered to critical acclaim at film festivals but fought hard for the few art house theatres that would play the film. Follow this controversial film from script to screen.

Working Writer in Hollywood: What It Takes to Survive
by John Kim
Not every screenwriter working in Hollywood enjoys a six-figure deal for every script he sells. What does it take to make a living on Guild minimum, and how do get steady; though not glamorous;work?

Rewritten: It Can Happen To You
by John Hill
The reality is that screenwriting is as much a business as a craft, and in business, you have to understand the system. Part of the development system is the rewrite process, and most likely, you are not the writer chosen to rewrite your;no their;script!

From the Development Executive's POV
by Christopher Vogler
Fox 2000 development executive Christopher Vogler tells us how to make his job easier. And screenwriters who make development executive's jobs easier, are screenwriters who are employed!

Option versus Purchase, Indie or Mainstream
by Diana Saenger
There are a number of choices facing screenwriters today, and two of the largest are selling or optioning your script, and going indie or mainstream. Find out the pros and cons of each path, and which development road is best for you.

Wayne Rice and the Art of the Pitch
by Diana Saenger
CPA turned screenwriter and producer Wayne Rice discusses his very successful career and the 'art of the pitch' which has dazzled so many executives into purchasing his script ideas.

Independents: Hitchcock's Chocolates
by William C. Martell
If you are going to create a world for your characters, learn to use that setting wisely. Locations can be used to reveal character, set up plot twists, and even produce surprise endings;just like Hitchcock!

Gary Ross; Dreaming in Color
by Anthony C. Ferrante
Screenwriter-Director Gary Ross discusses the evolution of Pleasantville and how he created an unforgettable world in the largest digital movie made to date.

Tools of the Trade;Part Two
by John Scott Lewinski
There are now high-tech programs for writing your screenplay which can help format and develop your story. This issue we examine programs which help you with everything from story line to character arc.

Interview with Adam Brooks
by John Kim
This determined filmmaker directed his first feature right out of film school, and spent years trying to get his next project off the ground. Find out what choices he made to jump start his career again.

Warner Brothers Sitcom Writers Workshop
by Julie Ann Sipo
This screenwriter's experience with WBSWW opened big industry doors.

The Last Word
by Sally B. Merlin
The commitment of a lifetime.

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