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This year, scr(i)pt charged its veteran writers David S.
Cohen, John Scott Lewinski, Sally Merlin, John Kim and
William C. Martell with choosing the script that they would
give the Oscar to, and why. What we got was a fascinating
look into the best scripts of 1999 and what made them great.
by Rita Cook
When you're a sci-fi buff and a writer like Sonny
Wareham, it's only a matter of time before someone
takes notice. Wareham's first spec sale, co-written
with Daniel Stashower, sold to Stargate SG-1, an original
Showtime series.
by Genia Shipman
This issue's column looks into the benefits of having
a supportive TV Writers group.
by David S. Cohen
While American Beauty is not quite an art house movie, it
certainly is a serious one and it provided a treat for fans
craving something more substantial than the usual summer
fare. In this acclaimed, award- winning film they got what
they wanted.
by John Kim
It's a puzzle every new writer must face and solve; how
to get their work read without an agent and how to get an
agent without getting read. Find out some innovative ways
to reach your goal; a sale.
by William C. Martell
Is there a legal definition of a great scene? Since an audience
will eventually be judging your work, let's put your
scenes on trial. Will your scenes be found innocent or guilty?
by Bob Verini
scr(i)pt takes a lighthearted, but insightful, look at the
sometimes tumultuous history of the Oscar¨ for writing.
Further study of the Oscars yields some pretty good stories
and a list of good screenplays; winners, nominees and
losers.
by Sally Merlin
Acclaimed writer/director Todd Robinson talks about his latest
documentary, Armagosa, the story of reclusive dancer and
painter Marta Becket. Robinson also tells scr(i)pt readers
what draws him to documentaries.
by Fred Dray
Unique characters are the most important element of any story
and much of the work begins before you write Fade In. Find
out how to create characters that intrigue.
by Lee Matthias
The great screenplays all have unforgettable moments, scenes
that linger with the audience long after the film has ended.
Learn how to infuse your script with these powerful, memorable
moments.
by Theresa Welty
Through the years, Oscar-nominated films have had some of
the best dialogue in filmmaking history. Take a look back
at the greats and examine the art and craftsmanship behind
these memorable lines.
by Sally B. Merlin
A salute to Documentary Filmmakers, the often unsung heroes
who bring their audiences unparalleled educational and inspirational
stories.
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