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by Anthony C. Ferrante
John Lee Hancock discusses how he has achieved success, and
the process of adapting the novel Midnight in the Garden
of Good and Evil to film.
by John Egan
There is a new structure to film-the use of multiple plots.
This "new wave" has met with great success, and
is becoming more and more popular.
by Diana Saenger
What does it take to make a love scene sizzle? Why are some
film couples just not believable? It takes more than you think
to generate authentic romance on the screen.
by William C. Martell
Are you merely writing what you think will sell, or are you
writing from the heart? To make a difference, your script
needs to have heart.
by Holly Willis
How does a writer go about pitching their new, fabulous idea?
Learn what works for other writers, as well as the benefits
and drawbacks of pitching.
by Anthony C. Ferrante
John Ridley discusses his writing tendencies and working with
Oliver Stone on the new film U-Turn.
by Alix Strauss
How can I create a truly helpful and effective outline? Is
it really worth all the effort? Learn the real benefits and
methods of the perfect outline.
by Christiana Miller
Friends' writer Ira Ungerleider discusses how he
got where he is today, and the business of writing for television.
by Harry Preston
"Don't break the rules until you know them." Make
sure your script is doing all that it is supposed to, or suffer
the consequences.
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