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March/April 1997 Issue

The screenwriter behind Things to Do in Denver When You're Dead, Beautiful Girls and Con Air, Scott Rosenberg, talks about the craft of screenwriting, his move to bigger budgets and the elements of a great spec script.

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FEATURE:

A Conversation with the Coen Brothers
by Veronica Mixon
Filmmaking duo Joel and Ethan Coen talk about the method behind their offbeat scripts.

Readers Pet Peeves
by Christiana Miller
Take it from a reader: following the rules will help you get through the door.

Anatomy of a Second Act
by Fredric T. Dray
A closer look at successful second acts provides inspiration and illumination.

For Sale: Movie-of-the-Week
by Esther Lutrell
Breaking into the television industry isn't easy, but it can be done!

Character Development The Breath of Life
by Elaine Zicree
Your characters are the driving force behind your script. Make sure they are up to the challenge!

Merlin's Musings: Responsibility
by Sally Merlin
Screenwriting requires the ability to respond.

Development: Breaking into the Business and Staying There
by Anthony C. Ferrante
Trimark producer Phillip B. Goldfine examines the spec market from the executive's POV.

Festival Watch: Telluride Indiefest 1997
by John Scott Lewinski
A closer look at the new festival nestled in the mountains of Colorado.

Independents: Slightly Out of Focus
William C. Martell
The Focus of your script starts long before the cameras roll.

Opportunities: Innovative Prospects for New Filmmakers
by Diana Saenger
A co-production agreement with a company like Nichol Moon can help get your film in the can and in the theaters.

Script to Screen: The Pallbearer
by David Cohen
The Pallbearer was one of the best specs of the last year. What happened?

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