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March/April 1998 Issue

Randall Wallace discusses Wallace Literary, his utopian writing atmosphere, and writing and directing The Man in the Iron Mask.

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FEATURE:

The Man Behind the Mask: An interview with Randall Wallace
by Anthony C. Ferrante
Braveheart scribe Randall Wallace discusses his development as a writer, his latest screenplay The Man in the Iron Mask and Wallace Literary––his dream office that provides the ideal, nurturing writing environment.

Independents: Between The Lines––Sixteen Steps to Better Description
by William C. Martell
Making your descriptions active can vastly improve your script. Don't miss these tips for making your screenplay move.

Want To Write? First, Get A Life!
by Andrew Levinsky
Ralph Farquhar reveals how his sitcom career began and offers advice on applying life experiences to produce successful comedy writing.

Don't Write That Script!
by Richard Brassau
What is procrastination and how can screenwriters overcome this common pitfall?

The Art of Problem Solving
by Syd Field
The first step is identifying the problem, the second step is fixing it. Syd Field tells you how to fix your script and generate more conflict and impact in each scene.

Keys to Creating Emotionally Engaging Characters
by James K. Shea
Why are the characters in It's a Wonderful Life and Die Hard so memorable? The trick is creating sympathetic, engaging characters who will enthrall your audience.

Treatments
by Christiana Miller
Industry mavens Jeri Taylor, Bob Chmiel, Geoffry Harris, Fredda Rose, and Milissa Brockish offer their spin on treatments as a writing and selling tool.

"But What I Really Want to Do is Write:" Delegating Authority to Get Your Movie Made
by Holly Willis
What can you, as a writer do to insure that your movie is made the way you want it made?

Script to Screen: Fallen
by David S. Cohen
Nicholas Kazan discusses his inspiration for Fallen and the evolution of simple ideas into a hot property.

Optioning Your Screenplay
by Brain Joseph Smith
What lurks behind the fine print? Find out what you need to know before selling your script and signing an agreement.

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