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by Christiana Miller
From freelance writing to working as a staff writer, television requires long
hours,
dedication, and team spirit . Even with all the demands, t.v. writing can be
a rewarding career. In part one of two, script covers writing for one hour episodics
and sitcoms. The May/ June issue will examine writing for daytime dramas, animation
and family programs.
by Allan Prell
While not everyone can be the next William Goldman, a love of film led this
writer to a rewarding career within the industry, proving that rejection is
no match for perseverance!
by David S. Cohen
After penning some of prime-time television’s most successful and well-loved
shows including Cheers, M*A*S*H, and Taxi, Glen
and Les Charles are moving into features with the intense new film Pushing
Tin.
by John Kim
A script can take half-a-lifetime to write, but high-hopes
for that $1 million sale sometime only last a few hours.
Find out more about the process of selling a spec script
in Hollywood.
by John Scott Lewinski
Breaking into the ranks of the accomplished writers in Hollywood is a daunting
task. The option of working as a writer’s assistant can prove to be invaluable
experience for new writers, but be sure to know what you’re signing up
for!
by Christiana Miller
Show runner and executive producer Bryce Zabel discusses the demands of managing
a series and the catch 22 of freelance tv writing while offering solid advice
on how to pitch to television executives.
by Diana Saenger
Writer-Directors Bill Condon (Gods and Monsters) and Mark Herman (Little
Voice)
discuss their independent feature successes and the rewards of mainstream recognition.
by William C. Martell
In Hollywood screenwriters are on every street corner looking to be
discovered. Jump starting your career in your own hometown could prove to be
more successful.
by Anthony C. Ferrante
Robert Rodat shares how researching, writing and filming
such a moving depiction of war changed our perceptions of
the men who fought and died on Normandy Beach.
by Steven Ford
scr(i)pt presents an overview of the most commonly used formats
along with a list of books to use as resources for discovering
which structure of writing is best for you.
by Rich Whiteside
A group of screenwriters discussing structure often results in a heated discussion,
or an all out battle! In this four-part series, the strengths of each school
of structure will be presented and discussed. This issue we’ll examine
Three Act Structure and Truby’s 22 Steps.
by John Hill
The ability to begin and end a story is the easy part. But by being creative
and imaginative, one can make the long trek across the vast desert known
as Act Two.
by Sally B. Merlin
Lessons from the Bard’s Garden.
Sales Force
Festival Watch
Contests
New Books
Press Releases
Industry News
Editor’s Note
Letters to the Editor
In Hollywood
Dr. Format
Spec Sale Spotlight
Hot Sheet
Classifieds
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