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May/June 1997 Issue

Larry Cohen, Whit Stillman and Wesley Strick - a roundtable discussion.

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FEATURE:

The View From Here
by Anthony C. Ferrante
Wesley Strick (The Saint, Cape Fear), Larry Cohen (Original Gangsters, Ambulance), and Whit Stillman (Metropolitan,Barcelona) discuss their various approaches to the craft and business of screenwriting.

Merlin's Musings: Don't Say it - See it
by Sally B. Merlin
Realize the power of the visual medium.

Poetic Reality: A Conversation with Greg Araki
by Diana Saenger
Meet the creative force behind such films as Nowhere and Doom Generation.

Festival Watch: Cinestory '97
by John Scott Lewinski
Producers and screenwriters meet in the heart of Chicago.

What Hollywood Bought
by David Martin
The spec script is dead and Batman sequels will live forever. Are the rumors really true? And where is the screenwriter in all this mayhem?

The American Film Market
William C. Martell
Go behind the scenes of the 1997 American Film Market where there's more for the screenwriter than meets the eye.

Script to Screen: Eraser
by David S. Cohen
On the road from noir spec script to Ah-nuld blockbuster some serious changes happened along the way.

How to Hook a Reader
by Frederic T. Dray
What is it about a script that makes it stand out? Learn how to make your script grab the attention of any reader.

Writing Comedy: I'm Clogging as Fast as I Can
by Don Rhymer
Salesforce regular Don Rhymer talks about the mechanics of being funny.

He Said, She Said: The Art of Writing Dialogue
by Alix Strauss
Sixteen tips and two helpful exercises will whip your dialogue into shape before you can say, "Midsix figure sum."

Independents: The Job of Writing
by William C. Martell
Now that you've sold a script, the real work begins!

Writing for Money: The TV Spec Script Market
by Genia Shipman
Thinking about the TV market? True stories from the spec script battle field.

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