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May/June 1998 Issue

Richard LaGravenese: The Horse Whisperer; Writing for the DVD Market; Comedy Writers Roundtable; The 1998 Sundance Screenwriter's Lab; Writing Good Dialogue; The Writer/Agent Relationship; Tom Fontana of Oz and Homicide: Life on the Streets.

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Feature:

Richard LaGravenese and the Hollywood Grail
by John Kim
Prolific screenwriter Richard LaGravenese discusses his first impressions of the screenwriting business and his adaptations of the popular novels Bridges of Madison County, The Horse Whisperer and Beloved.

Independents: It's a Small World
by William C. Martell
Believe it;or not. How many coincidences will an audience accept? Learn how to make the most of those convenient plot twists without going overboard.

Good Dialogue is to Dye For
by John Hill
On-the-nose dialogue is a curse and the best cure is audience involvement. Learn how to take your script to the next level of text and subtext.

Burn This! One Writer's Experience at 1998 Sundance Screenwriter's Lab
by William Wheeler
Anyone with a spec script will appreciate this aspiring screenwriter's experiences at Sundance where some of the today's top writers gave him notes, tips, and inspiration.

Make 'em Laugh
by Alix Strauss
Take it from the pros;being funny takes a lot of work. Sit down with a roundtable of comedians as they discuss the rules of comedy.

The Wizard of Oz: An Interview with Tom Fontana
by Mark Zicree
There are no yellow brick roads in the real-life dramas that Tom Fontana brings to television. This Emmy Award-winning writer/producer takes us behind the curtain and into the world of Homicide: Life on the Streets and Oz.

The Writer/Agent Relationship: Love, Hollywood Style
by Jose Martinez
A good agent/writer relationship is like a marriage;if it really works you can learn and grow together. If you don't get along or live up to each other's expectations, there is nothing but heartache. Learn how to manage this tricky co-existence Hollywood style.

Script to Screen: The Game
by David C. Cohen
It wasn't all fun and games for a spec that started with a lighter outlook, and ended up edgy and dark on the screen.

What happened and why?Tapping Technology for Writing Assignments
by Fredric T. Dray
Screenwriters who keep in touch with technology may have an edge on freelance work. Find out what DVD is and how screenwriters can find lucrative, informative, and exciting work behind the scenes of this fast-growing trend.

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