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Phillip Williams
How two stand-up guys, screenwriters Bob Shaw and Don NcEnery,
learned Seinlanguage, pumped up Hercules,
and put the comedy in the colony for A Bug's Life.
Special Sidebar: Bug's Life co-screenwriter and co-director
Andrew Stanton on writing for animation.
Jose Martinez
Love, Hollywood Style continues with an examination of key
players in the writer's career - namely managers and entertainment
attorneys.
John Kim
Alan Gasmer, senior vice president and head of the motion
picture literary division of William Morris, talks to scr(i)pt
about the way William Morris Agency operates in today's industry.
David S. Cohen
Scott Smith's original script went through development hell,
but when it was over, Smith's original vision was still intact.
Anthony C. Ferrante
Barry Levinson he ain't. But Baltimore's other favorite son
continues to make movies on his own terms and on his home
turf.
Diana Saenger
For screenwriting team David Levien and Brian Koppelman -
best friends since they met on a cross-country trip as teenagers
- the last two years have been a dream come true.
William C. Martell
No one likes reading a bland, colorless script. Learn how
to crank up the contrast and keep readers glued.
John Hill
You've been there. Your eyelids grow heavy, your metabolism
decreases, and brain function slows down. Gasp! It's the curse
of the slow script!
John Scott Lewinski
Formatting your screenplay is no easy business, but these
top software products give you the tools to write that script
efficiently and professionally.
James K. Shea
Why do we care about or become emotionally engaged in one
character and not another? The answer is in the character
arc.
John Kim
scr(i)pt takes a moment to celebrate the legendary
career of Preston Sturges.
Sally B. Merlin
The Boldness of Saving Private Ryan.
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