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November/December 1999 Issue

Documentaries: The Road to Hollywood?, Crafting Characters, The Green Mile From Script to Screen, How to Write a Non-Studio Spec Script.

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FEATURE:


Frank Darabont: Walking the Green Mile

By John Kim
Writer/Director Frank Darabont talks about adapting The Green Mile for the screen and how he made his way up through the Hollywood ranks. Darabont also reflects on his twenty year relationship with novelist Stephen King.

When at First You Do Succeed
By Rita Cook
Six years of rewrites and a tireless search for investors, finally results in success for Linda Guyan.

Documentaries: The Road to Hollywood?
By Diana Saenger
Looking to get noticed with an unforgettable true story? Consider making your mark with a documentary film.

Contacts
By John Lewinski
Screenwriters can carve out a successful career in the independent world if they have the right contacts.

Script to Screen: Pavilion of Women
By David S. Cohen
Writer/director/actress Lou Yan discusses her adaptation of Pearl S. Buck¹s Pavilion of Women and its fascinating journey from script to screen.

Ruth Prawer Jhabvala: Writer With a View
By Alia Yunis
Two-time Oscar® winner and revered writer of powerful, character-driven films, Ruth Prawer Jhabvala discusses her approach to successful screenwriting and her long-time partnership with Merchant Ivory.

Short Films: A Screenwriter¹s Calling Card?
By Joe Piscatella
Think short films are only for writer/directors on the film festival circuit? Don¹t put that script in the desk drawer yet, because a short may well open some doors for you.

 

Every I Need to Know I Learned from Roger Corman
By William C. Martell
Writing for indies means knowing your budget and trying to avoid using animals and kids in your film. Here are a baker¹s dozen of useful tips to write a script designed to be shot on an indie budget.

Writing the Arthouse Film
By Theresa K. Welty
You know the films. They resonate with quality and lofty subject matter. They are known as Œarthouse.¹ Learn how to write and sell your high-quality scripts to this market.

How to Write a Non-Studio Spec Script
By John Hill
What makes a spec script interesting to an independent producer or director? Find out the secrets of the non-studio spec ...

Independent People: Crafting Characters for the Low Budget Movie
By Bob Verini
Compelling characters are arguably the most important facet of Independent films. Find out how to craft the unforgettable people who populate the most memorable movies of our time.

Keys to Brilliant
By James K. Shea
Do you have the screenplay blues? Here are several great tips and tricks for put a little brilliance into your script.

The Last Word: The Independent Spirit
By Sally B. Merlin
A salute to the most courageous people in the film industry today the Independent filmmaker.

 

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