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by Alia Yunis
Scr(i)pt talks to Kauffman and Crane to find out what it
takes to make NBC's Must See T.V. the leading prime time
line up. Go behind the scenes with the creators and show
runners of Jesse, Friends, and Veronica's
Closet.
by Rita Cook
The writing team makes a first time spec sale seem easy.
The secret is in the script.
By Christiana Miller
Daytime takes real talent and perseverance. Michelle Val
Jean shines a realistic light on what most people don't know
about writing for daytime drama.
by David S. Cohen
Dana Stevens discusses the making of For
Love of the Game with Kevin Costner and how she has made her own way in a
tough industry.
by Alia Yunis
Stephen Cannell talks to scr(i)pt about how hard work, passion,
and devotion helped him achieve his goals and thrive through
three decades of writing for television.
by William C. Martell
The title of your script is more than just a simple collection
of words, it is a window into its content. These are the
first three words the producer will read--make them count.
by Theresa K. Welty
MOW's and cable movies are a vast market for the screenwriter
who understands how to write and sell them. Get inside this
alternative market for your feature script.
by John W. Kim
From The Simpson's to Futurama, find out what it takes to
produce two prime-time animated hits from the men who do--Matt
Groening and David X. Cohen.
by Rich Whiteside
Working writers share their inspirations on how to tackle
screenplay structure.
by Roan Browne
Rosewood scribe Gregory Poirer reveals his secrets of making
a name in Hollywood as well as how to survive the second
act.
by Sally B. Merlin
The words we chose for descriptions ultimately determine
how our movies will be seen and understood.
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