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Special Report: UCLA's Professional Program and National University |
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In the September/October issue of Script, Ray Morton examines the changing landscape of the industry, and asks how film and writing-for-film programs are tackling this new frontier. For the next six weeks, we take a closer look at these programs, as they explain how they will prepare students for jobs in a brave new industry. Today we look at UCLA's Professional Program in Screenwriting and National University. Continue reading ... |
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Special Report: Full Sail University and International Film School Sydney |
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In the September/October issue of Script, Ray Morton examines the changing landscape of the industry, and asks how film and writing-for-film programs are tackling this new frontier. For the next six weeks, we take a closer look at these programs, as they explain how they will prepare students for jobs in a brave new industry. Today we look at Full Sail University and International Film School Sydney. Continue reading ... |
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Writers Boot Camp: A Look Behind the Curtain |
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 Last month, I attended a "Free Mini-Camp" at the Writers Boot Camp headquarters in Santa Monica, CA, where its founder, Jeffrey Gordon, gave an introductory class/speech/sales pitch. He was refreshingly open about his program, and though he didn't mention specifics, a Google-search reveals that his six-week "Basic Training" costs about $1,000, and the 22-month "Think Tank" about $7,000. Payment plans are available, as well as added benefits that include breakfast lectures, ongoing consultation, and alumni engagement.
Continue reading ... |
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Review: Visual Effects for Directors |
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 In a follow-up to Hollywood Camera Work’s Master Course in High-End Blocking and Staging, Per Holmes has released Visual Effects for Directors. A visual-effects intensive for directors and directors of photography, this seven-DVD set covers shooting visual effects, from green screen, virtual set, 3D, camera tracking and motion control, to character animation, motion capture, crowd replication, digital set extension, VFX cinematography, compositing and much more. Continue reading ... |
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Greenwriter.org Hopes to Change How Hollywood Does Business |
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Each year, thousands of printed screenplays change hands in Los Angeles. They’re couriered from agents and production companies in Hollywood to actors and directors in Beverly Hills. They’re printed from places like New York, Iowa and China -- anywhere a screenwriter lives -- and sent in boxes to Studio City, Santa Monica, and West Hollywood. When it came time for 23 year-old screenwriter Daniel Riser to launch his masterpiece onto the script mill, he was taken aback by how many copies he had to make. “All those screenwriting books and Internet sites tell you to print 10 copies of your script,” Riser says. “At 120 pages a script, that’s a lot of paper, and it’s expensive.” That’s when he decided to do something about the inefficient system of sending scripts to Hollywood; he created Greenwriter.org, a company that believes digital script exchange is the wave of the future. Continue reading ... |
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MacWorld's Final Draft version 8 Review! |
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MacWorld has given Final Draft version 8 a stellar review -- four and a half mice to be exact. Visit MacWorld to read the complete review. |
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