Don’t let the decidedly “literary” title (i.e. “non-cinematic”) fool you: The Reader is an exquisitely imagistic film experience. Directed by Stephen Daldry from a screenplay by David Hare (the team that adapted The Hours), The Reader synthesizes gritty realism and tenebrous tenderness in translating the internationally renowned book by Bernhard Schlink to celluloid. Continue reading ...
A new player recently stepped onto the already crowded playing field of screenwriting
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