Paul Joseph Gulino explores the lost opportunities of set-up and pay-off in the film Hereditary.
Joy Cheriel Brown reviews On Chesil Beach, exploring the missed opportunities in structure and building tension.
Leading up to the 2018 Oscars, Script looks back at some of our articles, interviews, and film reviews that covered what are now Oscar-nominated films. Plus, download screenplays of this year's contenders!
If you missed the Napa Film Fest, Cheryl Laughlin shares what films screenwriters and film lovers should be on the lookout for. Plus, see why you should meet your film idols.
The House of Tomorrow delivers an insider’s look at geodesic domes, intermingled with punk rock and a unique coming of age story. Funky science, beloved music, and the awkward nuances of growing up – yes, please.
Christopher Schiller examines the complexities of Sebastian Lelio's film, A Fantastic Woman.
The film The Shape of Water (2017) is the realization of a fairy tale idea filmmaker Guillermo del Toro has been imagining since he was a young boy. Christopher Schiller shares his insights.
Steven Spielberg’s luminous epic about mankind’s first meeting with extra-terrestrial life was a critical and financial smash. Ray Morton explains how, four decades later, the film remains notable for many reasons.
Fauda is a TV series streaming on Netflix. The Decider has compared it to The Wire. It attempts to become the new Homeland. But does it succeed? Sammy Montana weighs in with his verdict.
Ray Morton using The Beaver to illustrate how even the best ideas by the most talented people can go awry if the storytellers don’t decide.