Miranda Sajdak continues this year’s post-Oscar Snarkitude, pulling out the big guns and taking on a film that just dies for snark: Spotlight.
In Miranda Sajdak's Snark a Film column, she will be taking movies of all sorts - some she loves, some she likes, some she vehemently dislikes - and tossing a big old flaming bag o’ snark at their lovely/delightful/stinky feet. First up, 'Brooklyn.'
Brad Johnson reviews of the new Adam McKay film, 'The Big Short.'
Brad Johnson reviews Ron Howard's latest film, 'In The Heart of the Sea.'
Script Magazine's Brad Johnson reviews the new boxing movie, Creed.
Christopher Schiller talks with Grímur Hákonarson, an Icelandic writer/director whose film 'Rams' is getting well deserved festival recognition at Telluride Film Festival.
Script Magazine chats with screenwriter Tim Talbott about 'Stanford Prison Experiment,' his extensive research, rewrite strategies and navigating a beast of a project that took decades to get made.
Where’s the Gen-X Big Chill? Far from a full-out attempt at demographic summary, but putting in its two cents, is a new seriocomedy entitled The D Train...
Bob Verini interviews John McNaughton, the director of "The Harvest," discussing the script's development and bringing thrills to the screen through complex characters.
Ray Morton explores the notion that Birdman presents most emphatically: that there are good types of movies and bad types of movies.