adaptations

Script Gods Must Die: Adaptation – Faithful Or Original?

Dan Sutherland, a Chicago playwright pal of mine, once took a swipe at Shakespeare, concocting his “Biker Macbeth” from the deepest recesses of a pickled imagination. It was years ago and I’ve blocked out his actual reboot. I do remember one scene where Macbeth in black biker gear rolls a black...

The Wide Margin: A Writer’s Carnal Knowledge

“So, that’s one for “Cah-nahl Knah-ledge…” That’s how they sold tickets at the old Hahvahd Squah Theahter Harvard Square Theatre where I first saw the classic Mike Nichols’ film.  The Harvard Square Theatre – before succumbing to the sweeping home viewing revolution – used to host both old films (different daily...

ALT SCRIPT: The Screenwriter and Public Domain

Click to tweet this article to your friends and followers! Seventy years ago James Joyce and Virginia Woolf died. Not together. They didn’t goad each other into an impromptu and drunken drag race through the streets of Trieste, ending in an iconic but tragically twisted ball of metal, petrol and flaming...

ARGO’s Effective Use of Creative License

Having adapted a number of true stories for the screen, I found myself wondering, as I watched Argo, which moments might have been created for the movie. I guess I’m something of an apologist for Hollywood, in that I see a need to do more fictionalizing and authorial shaping of history...

The Scoggins Report: September 2011 Scorecard

The Scoggins Report is a compilation of spec sales and trends in the industry. Archive editions of The Scoggins Report can be found at The Business of Show Institute and on www.thewrap.com. Details on every person, project, and company covered by the Report can also be found at www.ItsontheGrid.com. The Report...