How does one get an agent at a big time agency, and how do you fall out of love with that same guy just a few years later? Hold on now, next stop 1995.
One of the first scams that Manny Fonseca came across involved a screenwriting acquaintance, a "Facebook friend" and a LA Times article. Here's the story.
Screenwriters always how to sell a script, but Ray Morton explains the better question really should be how to get your screenplay read by a potential buyer?
After months of honing his scripts, Manny Fonseca finally got a meeting at one of the big Hollywood agencies. Here's the story of how he blew it.
In 2016, Manny Fonseca landed an agent for his book BURST! This is how that experience went in detail. (SPOILER ALERT: It was a bumpy ride.)
Heather Hale challenges screenwriters to raise the bar and learn all they can about writing a TV series.
Kim Garland interviews writer/director Chris Sparling on his journey to getting his breakout film — BURIED — made and his thriving career today.
Steve Kaire gives helpful tips on how to get a literary agent to represent you, even if you aren't produced.
Paul Peditto discusses the agent relationship, conversations with agents, how to keep an agent, and some examples of what you never want to tell a screenwriting agent.
Producer and premier script consultant, Wendy Kram L.A. FOR HIRE, provides essential ingredients to screenwriters for writing great dialogue.