Paul Peditto discusses dialogue writing, giving overheard dialogue examples.
Paul Peditto talks about the notion of the cut instinct, and how less is more when writing dialogue.
Paul Peditto examines how to improve scene construction and dialogue through a uniquely Chicago-style approach.
“I was so mad at my agent. I had polished and polished and polished… and he referred to it as a draft. I wrote him a bitter letter: ‘How can you call this a draft? I don’t do drafts.”–Cynthia Ozick “Movie makers buy plays because it makes them feel smart. Acquiring...