With a budget of $40,000, Deborah Pearl booked a swanky hotel room for five days in Los Angeles with two famous Hollywood film stars and thirty onlookers.
Director/Producer Dawn Fields lays out what you need to know for your movie to make the scene at film festivals!
Shawn Tolleson had a spontaneous post-film screening Q&A and one big question overshadowed them all… How did you get that dang film into production?
Screenwriter Doug Richardson shares his lessons from a meeting with George Lucas about rewriting 'Red Tails.'
Shawn Tolleson discusses clearing clutter in your life, making room for change, and asking, what can to let go of.
Dan Goforth talks with Pixar's screenwriter/director Steve Purcell about writing and directing in making the move from features to short films.
Kevin Delin explores if Ava DuVernay, director of Selma, missed an opportunity to educate through art and lost an Oscar nomination in the process.
Click to tweet this article to your friends and followers! We all know that great writing comes from great rewriting. And that second acts are where the real writers live. All that’s true. So very true. But it’s also true that we can all be guilty of nursing a labor of...
It was just a gig. An all-terms upfront, uncredited production rewrite. Pack quickly, climb on a plane, fly to the location, find a quiet corner in the production office, and vomit pages of wannabe box office gold. In exchange, a healthy weekly check deposited into my bank account until the studio...