By the looks of the trailer, Atomic Blonde promises an action-packed experience to its audience. But does this spy action thriller now in theaters live up to its promise? Sammy Montana dig in.
Chris Nolan's new film, Dunkirk, uses non-linear storytelling, in both space and time, to immerse the audience deeply into a large, complex event.
Beatriz at Dinner (written by Mike White, directed by Miguel Arteta) has all the elements that make for a scintillating evening -- until it doesn't. Paul Joseph Gulino shares tips on how to deliver what your audience wants.
Ray Morton explains what's wrong with 'Batman v Superman.' If you’re going to write a great movie, you need to be brave and choose subject matter you're passionate about.
Miranda Sajdak continues this year’s post-Oscar Snarkitude, pulling out the big guns and taking on a film that just dies for snark: Spotlight.
In Miranda Sajdak's Snark a Film column, she will be taking movies of all sorts - some she loves, some she likes, some she vehemently dislikes - and tossing a big old flaming bag o’ snark at their lovely/delightful/stinky feet. First up, 'Brooklyn.'
Brad Johnson reviews of the new Adam McKay film, 'The Big Short.'
Brad Johnson reviews Ron Howard's latest film, 'In The Heart of the Sea.'
Script Magazine's Brad Johnson reviews the new boxing movie, Creed.