There is a growing realization of how polarizing people’s viewpoints are across the country. Heather Taylor explores how we can create films in that post-truth environment.
Danny Manus spoke with John Hamburg, NY native and writer of Meet the Parents and Zoolander and their respective sequels, and writer/director of Along Came Polly and I Love You, Man, about his process and his most recent hit, Why Him?, starring James Franco and Bryan Cranston.
Two of the most misunderstood positions in the film industry are script supervisor and script coordinator. Roe Moore provides insight for writers on what to expect when a script goes into production.
Tim Long discusses the importance of executing your story on the page.
Jason Buff suggests if you want to sell your low-budget indie film, don't do it by writing the script first. He's got 5 great steps to take to help you find funding and distribution early in the game.
Bryan Sipe discusses the long and personal journey he went through, which resulted in the screenplay for 'Demolition,' starring Jake Gyllenhaal.
Filmmaking wizard Michael Williams talks about his journey in bringing "Ozland" to the screen.
Tawnya Bhattacharya shares tips on the basics of adaptation and working with source material.
On the heels of her recent web series talk on #Scriptchat, Rebecca Norris dives in further to get your burning web series questions answered.
In his second "Should I Go To Film School" column, screenwriter and professor Brad Riddell discusses how to decide on a film school degree.